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Incline Ridge Apartments Are Ready to Rent!

Incline Ridge Apartments in East Price Hill. Call 513.861.6000 to learn more.

The Incline Ridge Apartments, located at 2361 – 2377 Maryland Avenue, are now ready to rent. Located in the Incline District in East Price Hill, these freshly-renovated apartments feel brand new at the same time that they’re located in a classic Cincinnati neighborhood – in other words, they offer the best of both worlds.

“The best of both worlds” would also apply to the fact that the apartments are on a peaceful and quiet street at the same time that they’re close to downtown and Northern Kentucky and within walking distance of places like the Incline Public House in East Price Hill.

Incline Ridge Apartments contain newly renovated apartments with brand new, stylish, stainless appliances. These two-bedroom apartments contain 875 square feet, and they feature long balconies — long enough to link the master bedroom and the living room.

And those balconies offer a fabulous view. In fact, the view competes with any in Price Hill or for that matter the whole city. If you have any interest in finding out more about these or any of the other apartments Gaslight Property has to offer, call us at 513.861.6000. Our agents would love to tell you more about these apartments!

 

 

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East Price Hill: A Classic Cincinnati Neighborhood

Gaslight Property is excited to announce some freshly renovated apartments that have very recently became available in East Price Hill. Much of our enthusiasm for the Incline Ridge Apartments, located at 2361 – 2379 Maryland Avenue, has to do with the neighborhood itself, which, in the accurate words of eastpricehill.org, “is experiencing a renaissance of sorts.” Recently we talked to Tom Gamel, President of the East Price Hill Improvement Association. His enthusiasm for the neighborhood is contagious, and for a good reason: he’s a life-long resident. Here are some of the things we like about East Price Hill:

Convenient Location. Tom Gamel put it well: “Our community is so close to everything. It’s so close to the expressway. It’s convenient for getting to key shopping centers in Northern Kentucky, and it’s within five minutes of downtown Cincinnati.”

A Fabulous View. You can’t beat the view that East Price Hill has of Cincinnati, Northern Kentucky, and—best of all—the downtown skyline. “It has better views that some of the Mt Adams sites,” Tom Gamel said. And the view our newly available apartments offer is as good as it gets.

Things to Do, and Places to Go—A Mixture of Old and New. Talk to someone from East Price Hill, and they’ll very quickly mention the Incline Public House, a restaurant that opened in March of this year. The restaurant—which along with great food and craft beer has a breathtaking view—has been a hit from the beginning, and when we were there it was packed. As Tom Gamel put it, “The newness has not worn off. It’s going to be a sustainable business. We haven’t even gotten to the warm months yet, when the deck will be fully utilized.” Also of note is The Queens Tower, a high-rise condo tower with the Prima Vista (which was named “Best Italian Restaurant” in Cincinnati Magazine) on the ground floor. Other East Price Hill landmarks include Holy Family Church and St. Lawrence Church. Tom Gamel also spoke highly of Cincinnati Christian University, which used to be Cincinnati Bible College. “They’ve invested a lot of money in community and have expanded over the years,” he said. “They’re good partners in the community.”  There has also been an award-winning makeover of the historic Elberon Apartments for seniors. And let’s not forget Mt. Echo Park, an 82-acre park with a panoramic view of the river and the Cincinnati skyline. It features two shelters, hiking trails, a playground, and lots of green space.

A Rich History. East Price Hill is a classic Cincinnati neighborhood that’s associated with The Incline, which was completed in 1874 and was instrumental in the development of the neighborhood.

Community Pride. When you talk to residents of East Price Hill – or if you visit their website –  you see evidence of the pride the citizens feel for their community. For example, check out the signs people were holding when this photograph that was taken on East Price Hill Cleanup Day:

In our next blog entry we’ll zero in on the Incline Ridge Apartments. First, though, check out these photographs taken in the neighborhood where you would be living, East Price Hill.

Inclie Public House

Queens Tower, with the Prima Vista Restaurant on the ground floor

A view of downtown Cincinnati from East Price Hill

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Hair Salon in the Gaslight, + Northside Farmers Market Moves Outside

Makin Heads Turn Salon is a full-service salon located in the Gaslight District.

Here’s a figure to throw at your next cocktail party: 12,618 people live in Clifton. That’s a lot of folks, but I’ll bet dollars to donuts that there are people living in Clifton who think they have to go elsewhere to get a haircut.

That’s because the two salons that do exist in Clifton are located in inconspicuous places. Head First at 329-1/2 Ludlow Ave. is behind and under Aquarius Star/Om Cafe, and people walk past the building with no idea there’s a hair salon there.

And there are people who eat at Bruegger’s Bagels who are unaware that the salon Makin Heads Turn, which opened late last year, right is across the street. (Technically the address is 3307 Clifton Avenue, but the entrance is on Terrace Avenue.)

Things have been going extremely well for the salon’s owner, Saira Huckleberry, and when I got my hair cut there last week she filled me in on some of the latest. Since I last talked to her the staff has expanded, and Saira was especially excited about the work that Ebony Collins has been doing there. Ebony has been teaching hair for seven years, and her specialties include extensions, braiding, and dreadlocks. I should add that the services Making Heads Turns offers include eyebrow waxing and nails. Call Makin Heads Turn at 513.407.3911 and see what Saira, Ebony, or one of the other stylists can do for you.

I should also mention that Saira is receiving so much business that she is eager to expand, so any stylists to call her and talk about future opportunities.

***

In other news, Northside Farmers Market has moved outside. Now through October 16th Northside Farmers Market will be located in Hoffner Park on the corner of Blue Rock and Hamilton Avenue in Northside. The NFM continues rain or shine, so check them out every Wednesday from 4-7pm.

Northside Farmers Market has food-to-table demonstrations, live music and more every week. May is “planting your garden month,” and a lot of vendors will have vegetables, herbs and native plants to grow in your garden. New vendors such as Goodin Tasty will have delicious rubs for your meats, Probasco Farm will have veggies that were grown in Northside and Mr. Gene’s Mustards will garnish your picnics. Returning for another summer with NFM is Street Pops, Happy Chicks Bakery, Sweets by Shannon, Backyard Orchard and Idyllwild Farm.

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And finally, this Friday, May 17 the hip-hop band iswhat?! will have an album release party at MOTR Pub. The new release is called things that go bump in the dark, and it is available on both CD and vinyl. It should be a fun night,  and a chance to show some support for a band that’s been getting attention around the globe. In fact, I’m guessing that it’s because iswhat?! is so busy touring that this album release party didn’t happen a little sooner.

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Special Events Every Night on Ludlow Avenue!

Did you know that there are special events and special prices seven nights a week on Ludlow Avenue? Here’s something to stick on your fridge: once-a-week special events and specials that take place every week on Ludlow Avenue in Clifton.

  • Sundays

Sitwell’s serves Belgian waffles from 8am to 4pm.

  • Mondays

Habenero’s serves $5 burritos + $2 Tecate bottles.

J. Gumbo’s Clifton serves $5 red beans and rice .

  • Tuesdays

Habanero’s serves $2 tacos + $2 Dos Equis draft beers.

Esquire Theatre hosts “Bargain Day.” All seats are $6 for the whole day.

Olive’s hosts “Trivia Tuesday” from 7pm to 9pm.

  • Wednesdays

Olives on Ludlow has a wine special from 5pm to 9pm; all bottles are half-price.

Sitwell’s hosts the Faux Frenchmen, a gypsy jazz quartet.

Arlin’s serves 45 cent wings + $2.75 imports.

  • Thursdays

Arlin’s has free pool.

J. Gumbo’s Clifton serves $1 fountain drinks.

  • Fridays

Ludlow Wines hosts a wine tasting from 5pm to 8 pm.

  • Saturdays

Ludlow Wines hosts a wine and beer tasting from 5pm to 8pm.

J. Gumbo’s Clifton serves hangover jambalaya, which uses beer instead of water to cook the rice, making it spicier. This special costs $8 for a bowl of hangover jambalaya + a drink.

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Listen to This! at the Downtown Library

There are lots of events at Cincinnati’s downtown library these days that you wouldn’t expect to take place a library—and one of them is a listening party. (The series is called “Listen to This!”)

When I think of the phrase “listening party,” I think of all those great album covers from the 1950s and 1960s that show mom and dad sitting on the floor listening to records with their children (that or a cluster of of parent-free kids or teeny boppers enjoying the pleasure of spinning vinyl). Ah, the old days…and Listen to This! is helping to bring back that time-honored tradition. Every other Wednesday, from 7pm to 8:15pm, folks sit around and listen to music. They discuss the music a little but not too much.

The next Listen to This! takes place this Wednesday, May 8, and for this round I’ll be the host. For an hour and fifteen minutes I’ll play music connected in one way or another with my Grodeck Whipperjenny article that appeared recently in Cincinnati Magazine.

The story centers around some ground-breaking and very talented Cincinnati jazz musicians who, between sets one night, were approached by a highly enthusiastic James Brown about the possibility of recording at King Records. Some wonderful things happened as a result of that conversation. Read More »

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Small Businesses Breathe New Life Into Short Vine in Corryville

On the beautiful day that was yesterday I took a walk up to Short Vine and snapped some photos and chatted with some folks. It’s exciting to see the new small businesses popping up up and down the street, and I encourage anyone reading this to do what I done: head over to Short Vine and have a look around. Early in my visit I happened upon a sandwich shop that has been on Short Vine about two weeks. Which Wich is located at 2904 Vine, and its phone number is 513.751.9424. Bill Bala, the owner of Which Wich, was a nice, professional man who posed in front of his superior sandwich shop:

Which Wich

 

 

 

 

 

 

 

 

 

 

 

About a block up I dropped into Island Frydays at 2826 Vine St, where for $3.50 I bought a jerk wrap that rocked. While I was there I made a couple new friends, Schnell and Sasha, who also agreed to pose out front of their restaurant, which has been a bright spot on Short Vine for what, a couple years now?

Schnell and Sasha from Island Frydays

 

 

 

 

 

 

 

 

 

 

 

Another food venue, Alabama Que (located at 2733 Vine), appeared on the next block. When I checked the Facebook page for Alabama Que, I came to realize that today marks an important milestone for the restaurant. Here’ s what they posted a few hours ago: Today marks the one year anniversary of our Clifton location. One year ago we open the doors with one cashier and one cook. Now Alabama Que has 14 employees. We can’t make everyone happy, but we are ok with 98% .. #OoooWeee !!!!!!!!

Alabama Que

 

 

 

 

 

 

 

 

 

 

 

On the same block as Bogart’s is the new Mio’s, which, when I walked in, looked like a good place to eat and have a drink:

Mio's

 

 

 

 

 

 

 

 

 

 

 

Speaking of having a drink, don’t forget Dive Bar located at 2608 Vine St, which has a great outdoor deck in back. A great place to go before or after a Bogart’s show:

Dive Bar

 

 

 

 

 

 

 

 

 

 

 

Across the street from Dive Bar is Caribe, at 2605 Vine St. Caribe features both Spanish and Caribbean Food, and it’s an opportunity to eat some very affordable food that you don’t see every day (such as empanadas, coconut chicken, citrus chicken, and tostones). Caribe has been up and running for a couple months, and the manager of the restaurant, Russ, was enthusiastic about the progress he has seen on Short Vine even in the short time he has been there.

Caribe

 

 

 

 

 

 

 

 

 

 

 

I could go on, but that begins to give you a taste of the new business and new life on Short Vine. The street is coming back to life, and I’m happy to see that happen, especially with small, people-owned businesses playing such a large role in it.

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Clifton Plaza Live Music Series Every Friday & Saturday

Contact Cat Harpen from Aquarius Star's Om Cafe if you would like to perform at Clifton Plaza's live music series.

How do we know it’s spring? Because the Clifton Plaza live music series is back in action. Hosted by the adjoining Aquarius Star’s Om Cafe, the series kicked off Friday, April 26, with the band Vinylraptor.

The series takes place every Friday and Saturday, and runs from April 26 to September 21.  For right now the shows will run from 6pm to 9pm, but that will probably change from 7pm to 10pm fairly soon (we’ll let you know).

When I spoke today to Cat Harpen, an employee of Aquarius Star’s Om Cafe, she emphasized that these music events are free, family friendly and a great way to meet new people.  ”We need some fun on Ludlow,” she added. “It’s time to spruce things up!” Examples of “sprucing up” she gave included Compassionfest,  yoga on the plaza, art displayed in the plaza, and a very diverse mix of music. “We also have weekly events happening inside of Aquarius Star’s Om Cafe, such as Lyrical Insurrection every Wednesday through June,” she added, “and musicians who play live music in the store during the week, such as Twig & Leaf.” Read More »

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New Jimmy McGary CD

Jimmy McGary Live at the Sungarden Vol. 1

For decades Jimmy McGary was the premier tenor saxophonist in Cincinnati. He passed away twenty years ago, but his music is still very much alive, and I’m happy to report that a new CD has been released that consists of a performance he recorded at the Hyatt back in the 1980s. (To purchase it, call Jimi’s son Sean McGary at 513. 708.2497.)

Recorded on August 29, 1986, Jimmy McGary: Live at the Sungarden Vol 1 consists of music McGary performed as part of the popular Jazz at the Hyatt series in the late 1980s. Any new release by the great tenor player would be welcome, but what adds something even more special to this release is the fact that Jimmy reunited with a drummer who, almost twenty years before the Sungarden gig, often played with Jimmy six nights a week, as a member of the Sound Museum. Read More »

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iswhat?! Album Release Party at MOTRPub NEXT MONTH

PLEASE NOTE: I HAD THE WRONG DATE FOR THE ISHWAT SHOW, IT’S NEXT MONTH, SORRY FOR THE CONFUSION

This Friday 4/19 On Friday, May 17 the hip-hop band iswhat?! will have an album release party at MOTRPub. The new release is called things that go bump in the dark, and it is available on both CD and vinyl. It should be a fun night,  and a chance to show some support for a band that’s been getting attention around the globe. In fact, I’m guessing that it’s because iswhat?! is so busy touring that this album release party didn’t happen a little sooner. A few weeks ago I wrote a blog entry about the album, and here’s what I wrote:

things that go bump in the dark is the new full-length release by Cincinnati’s iswhat?!, a hip-hop band that has toured the US and Europe and performed with major jazz artists, among them Archie Shepp, Oliver Lake and Hamid Drake. It’s a fine record, and I’m happy to report that, along with being available as a CD or a download, this full-length release had come out on vinyl. Locally the CD and LP are available at Shake-It and Everybody’s; online you can buy it on cdbaby and iTunes.

If you’ve caught ishwat?!, chances are you’ve seenNapoleon Solo Vox fronting a trio. On things that go bump in the dark band members change and band sizes fluctuate with each song, and others artists share some of the vocal duties. My sense is that Napoleon is still the mastermind behind the music, but, like Kip Hanrahan, he constantly shuffles musicians in order to make the words and music come to life. Read More »

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Footage From Bernie Worrell In-Store; He’s at the Blue Wisp Tonight

Bernie Worrell

Bernie Worrell’s hour-long set at Shake-It yesterday did not let up; constant non-stop highly-danceable funk was delivered. Good songs, and a good band composed of young musicians who were clearly enjoying themselves immensely, as you might imagine considering that they were playing with a major funk legend. Tonight (4/16) the band will be performing at the Blue Wisp; if you have questions about the show, call 241-WISP. This footage I taped gives you a taste of what went down last night and will go down tonight, although from comments that were made near the end of last night’s gig I get the impression that they’re going to add a turntablist and a rapper to the mix!

In other music news, two very talented female jazz vocalists will be performing this week, both on Friday (4/19) night, but at different venues. Andrea Cefalo will be at Chez Nora in Covington, and she’ll be accompanied by Al Beasley (drums), Billy Larkin (piano), and Eugene Goss (vocals and percussion). I had a chance to interview Andrea a few months back, and here’s a link to that blog entry:

http://www.gaslightproperty.com/interview-with-andrea-cefalo-shes-at-the-blue-wisp-sunday-evening/

Also on this Friday (4/19), April Aloisio will be performing Brazilian-flavored jazz at the Centennial Barn at 110 Compton Rd, Cincinnati, OH 45215. I only recently discovered that the centrally-located Centennial Barn exists (it’s on the border of Hartwell and Wyoming). The Centennial Barn is a great and very flexible space that people use for music, yoga, massage, business meetings, weddings, and – well, I think people are still finding fresh new ways to utilize this space that location-wise is smack dab in the middle of everything, yet once you get there, you suddenly feel like you’re out in the country! April’s performance is from 7:30pm to 10pm and features Phillip Burkhead on keyboard and George Simon on guitar. Here’s footage from a recent April Aloisio performance at the Greenwich Tavern:

 

 

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Bernie Worrell In-House at Shake-It + Live at the Blue Wisp

Keyboardist Bernie Worrell, who was a key member of Parliament-Funkadelic when the innovative funk band became huge, is playing a free in-store at Shake-It Records today at 7 pm, and he will also perform live at the Blue Wisp tomorrow night (Tuesday, April 16) at 8 pm at the Blue Wisp. Tickets for the Wisp show are $20; call 241-WISP for more information. Bernie is touring with his own 9-piece Funk Orchestra that includes a horn section, and if a funk guru performing  at a jazz club seems like a stretch, it’s worth noting that in 2011 Bernie recently released an album of jazz standards (performed his own funky way, of course).

I’ve seen Bernie a few times – with the Talking Heads, the Golden Palominos, Jerry Harrison’s Casual Gods – and, back in the antediluvian era, the Mothership Connection tour with Parliament-Funkadelic. Seeing that spaceship landing on the stage of Hara Arena really did a number on me – so much so that I wrote about it many years later for crawdaddy.com, which has since folded, but before that happened some other websites grabbed hold of it. Here’s a link to the article for anybody who has a couple extra hours:

http://thefalconsnest.wordpress.com/2011/04/28/funkhippies-and-the-landing-of-the-mothership/

And here’s some footage of Bernie during a live performance with none other than Bootsy Collins – which leads me to wonder…What the heck is Bootsy going to be up to Tuesday night?

 

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Bogart’s, Daniels Pub, Nelson Slater, Short Vine, Wish You Were Here, & Gaslight Night at Clifton Performance Theatre

The theme of this particular blog entry is goings on around Short Vine, and I encourage any readers brave enough to follow what might like seem a circuitous verbal trail to remember that. My adventures began the night I handed out umpteen beer cozies at a table for Gaslight Property at Bogart’s while Wish You Were Here, a Pink Floyd tribute band, played a long show that included, along with both earlier and later material, all of Animals and Wish You Were Here. The club was packed, and even in the back, where I was sitting, crowd members were singing along whenever Pink Floyd’s biggest hits were performed. I was able to leave the table long enough to film one song:

Upcoming Bogart’s shows include Insane Clown Posse on May 13 and Todd Rundgren on May 18.

A week later I was back up on Short Vine, where I visited the new Mio’s Pizzeria at 2634 Vine St.

Mio's Pizzeria

 

 

 

 

 

 

 

 

 

But the night did not end there, my friends. Somehow I ended up in the basement of Daniels watching the Nelson Slater album release party. Everyone who knows me knows that I can ramble on and on about the merits or unmerits of a piece of music….I have put people to sleep. However, for this particular performance I prefer to let the music speak for itself:

Speaking of letting something speak for itself, here is some information about a discount for Gaslight Residents to see the new play Apartment 3A at Clifton Performance Theatre.

“Gaslight Night” ($8 tickets! ($10 discount))
Thursday April 18th, 2013 @ 8:00pm  
The Clifton Performance Theatre
404 Ludlow Ave. Cincinnati, Ohio 45220
Have you ever looked at the awning heading into the basement of Gaslight Properties’ that reads “CLIFTON PERFORMANCE THEATRE” and wondered what the hell goes on down there? Well, wonder no more!
On Thursday April 18th, Untethered Theatre Co. (UTC) of The Clifton Performance Theatre invite Gaslight Residents for discounted $8 tickets to the Cincinnati Premiere of Jeff Daniel’s original play APARTMENT 3A. Tickets are traditionally $18, but as our neighbor we want to give you the opportunity to see one of our productions for an extremely reasonable price
Seating is limited (50). The Gaslight $8 Discount is cash only and on a first-come first-serve basis. Bring any/everyone you know living in Gaslight Properties, arrive early to ensure yourself a seat, tell the UTC employee at admission that you are a Gaslight Resident, and receive all of your tickets for $10 off the original price, totalling $8 per ticket.

 

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Nelson Slater Album Release Party Friday at Daniels Pub!

It was twenty years ago today that Nelson Slater first spoke to me about releasing his follow-up to Wild Angel, an LP that came out on RCA in 1976. I’m happy to report that the album has now appeared; it’s called Steam-Age Time Giant, and it came out (as should every album) on vinyl. Here’s a link to a recent blog entry I wrote about the record:

The New Nelson Slater Album

This Friday, April 12  Nelson will be playing at Daniel’s Pub, which is still there after all those wild years, at 2735 Vine Street. Great things have been happening on Short Vine lately (including some new developments at Bogart’s), and this will be an opportunity to bring some of the old spirit back. Going to Daniels will bring back old memories for us veterans and launch new ones for the newcomers. Folks, this is an event, let’s get out and show some support! The music starts at 9, Something Groovy will be Nelson’s special guests, and other performers include Grow Horns, Large Hadron Collider, and The Special People. Also, rumor has it (we’re not certain yet if this is just another one of those unfounded internet rumors) that Mr. Jerry Parker will be in attendance Friday evening.

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Kenny Poole, Guitarist

James Brown with David Matthews - keyboards; Kenny Poole - guitar; Michael Moore - bass; Jimmy Madison - drums

My article in Cincinnati Magazine’s April issue covered lots of ground—decades, actually, but the connecting thread was a band that in 1968 started performing at a club in Mt Adams six nights a week and remained at that location for about a year. The name of that band was the Sound Museum, and it was led by saxophonist Jimmy McGary. After the Sound Museum crossed paths with James Brown, a spinoff of that group became Grodeck Whipperjenny, and that same band recorded an album that is credited to James Brown even though his contribution was minimal.

In the article I discuss three albums that were recorded by Cincinnati Musicians during that period. Although it wasn’t released until 1980, the Sound Museum’s jazz recording Two Tone Poems was recorded at Jewel Recording Studio in 1968. More rock-oriented, the eponymous Grodeck Whipperjenny is a 1970 release, and the funkier James Brown release Sho is Funky Down Here came out in 1971. There’s a lot of overlap in personnel on these records, which is intriguing because the scope of the music is so broad. As David Matthews explains in the Cincinnati Magazine article, with Grodeck Whipperjenny he was (due to James Brown’s prompting) exploring what was for him a different style of music. So there was an element of naiveté—but when you combine that with brilliance, interesting things can happen.

I’ve spent a lot of time listening to those three records, and one of the things I came away with—and couldn’t fully explore in what was already a lengthy article—was the depth of talent in the city during that period. In the article I said a lot about the talents of Jimmy McGary and David Matthews, but I should say more about the other musicians. Other than David Matthews, there’s one musician who appears on all three albums. Guitarist Kenny Poole is the epitome of lyricism on Two Tone Poems, where he has a dry tone you’d associate with the jazz tradition that was his foundation. He sounds much dirtier on Grodeck Whipperjenny and Sho is Funky Down Here; here his playing ranges from straight-up in your face rock and funk to wide-open improv (as on “Evidence for Existence of Unconscious”). Many people in Cincinnati love Kenny’s playing but who aren’t aware of these recordings, and I hope that some of them will be able to enjoy the same sense of discovery that I experienced when I first listened to these albums. (I should mention here that  Grodeck Whipperjenny and Sho Is Funky Down Here are both widely available. You can also hear them on youtube, and representative tracks from all three records appear at the bottom of Cincinnati Magazine’s link to my article.)

I first saw Kenny Poole one of the first times I went to the Blue Wisp (the old one in O’Bryonville), where he sat in the whole evening with Tal Farlow, one of the most important guitarists in the history of jazz. I caught Kenny a few times after that, but then there came a long period where he wasn’t playing the clubs as much (turns out private parties and corporate affairs were more lucrative and probably less of a hassle). Then one night Jim Hall performed at Xavier’s jazz guitar series, and Kenny was in attendance. At intermission I asked what he thought of the music. That question launched what turned out to be an amazing soliloquy. Kenny raved about Jim Hall in the most unbridled fashion. He listed Bartok and Stravinsky as influences, and he also threw in a bunch of other names that I can’t remember anymore. “He sounds like so many people,” Kenny said, “and none of them are guitarists!” I loved the Jim Hall concert, but on that evening I got as much pleasure from listening to a fellow guitarist gush about one of his heroes.

I got to see Kenny Poole one more time, this time by chance. Occasionally I would drop by Awakening Coffee House in Hyde Park to hear jazz, and one night Kenny Poole happened to be filling in for the regular guitarist. Kenny was a great bebop player—in fact, I remember a rendition of Charlie Parker’s “Billie’s Bounce” that burned—but this evening he was more in more a bossa nova mode. Among the highlights that evening was a beautiful rendition of Bacharach’s “The Look of Love.” Kenny passed away not too longer after that, and I feel lucky to have a chance to at least have a glimpse of how his art was still evolving near the end of his career.

Kenny Poole was, like Jimmy McGary, a Cincinnati jazz musician who stayed here. He recorded at different points of his career, however, and word got out. In fact, the video that I posted here has almost 90,000 hits and long string of very positive comments. Way back in the day Kenny was performing with the likes of David Matthews, James Brown, Michael Moore, Grover Mooney and Jimmy Madison. For this solo performance decades later he was playing music that’s similar to what he performed at Awakenings the last time I saw him. As with Jim Hall at Xavier, this solo guitar music is characterized by warmth, subtlety and richness. The song, by the way, is “Brazil;” if you want to hear it sung, look up Antonio Carlos Jobim’s version on youtube.

 

 

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My Article in Cincinnati Magazine

A few days ago an article I wrote appeared in Cincinnati Magazine. The piece focused on a slice of Cincinnati musical history that wove together so many styles it would be impossible to say which genre was at the root of it all. It’s a story of a jazz group that ended up morphing into a psychedelic band for one album and a funk band for another; the jazz group also released, posthumously, a very experimental jazz album. All of these things took place in Cincinnati while James Brown was recording at King Records here, and the plot thickened as soon as he entered the picture.

As you might imagine, there’s a lot to the story. When I pitched it to Cincinnati Magazine I created what was quite possibly the longest query letter ever. I had never written for them before, and this was an out-of-the-blue pitch. There was some interest on their part, but there was no guarantee that it would be a good match.

I went ahead and wrote the article, all 5,500 words of it (the first draft, that is; eventually we trimmed it down to about 4,000). Shortly after I sent it an interesting twist of fate occurred for an article that very much hinges on the activities of James Brown: RJ Smith, author of the recently published JB bio The One: The Life and Music of James Brown, joined Cincinnati Magazine’s staff. Prior to that time RJ had never lived in Cincinnati, so that was a huge and quite welcome coincidence; he ended up providing invaluable assistance during the editing.  Also, the magazine did a great job of designing and laying out the piece both in print and online.

As I stated near the end of the article, ultimately this is a story about friendship, and I made several as I delved into this slice of Cincinnati musical history. The people I talked to the most were David Matthews, Carmon DeLeone and RJ Smith. It’s also because of this article that I was able to meet Lou Lausche, Carol McGary, Sean McGary, Phyllis Boyce and many others. I also benefitted from chatting with someone I already knew, Shawn Marsh, who I nicknamed “Shawn Marsh of Sound Museum fame” (sometimes shortened to “Sound Museum fame” or “Sound Museum”) for reasons that—well, I’ll let him explain it to you.

I’m going to write a couple entries on the musical side of this subject, but that will make a lot more sense after you’ve read the article. Here’s a link to the Cincinnati Magazine article:

Tomorrow Never Knows in Cincinnati Magazine

 

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Wish You Were Here Update: Interview with Band Member Eric Sosinski

Today I spoke on the phone with Eric Sosinski,the bassist, co-lead vocalist, music director and manager of Wish You Were Here, the Pink Floyd tribute band that will be performing at Bogart’s this Saturday, April 6. Eric lives in Cleveland, but during our conversation I learned that one of the other members of Wish You Were Here (Jamie Combs, who plays guitar and handles the other lead vocals) is from Cincinnati; Jamie is also a member of the popular local band Fourth Day Echo. Eric also informed that band members will be doing a meet and greet at the merch table about 8:20 that night, so walk over and ask him your Pink Floyd questions. These were mine:

How long has Wish You Been Here been together?

We formed in late 1995. It’s one of the longest continually running Pink Floyd tribute bands. We’re coming up on 20 years, and it’s been a successful run.

What’s the biggest challenge about playing the music of Pink Floyd live?

You have to be careful not only what you play but what you don’t play Often the space between the notes is just as important. You have to play it in the style of the artist. Details, sound effects, specific notes, drum fills, also the sounds. It helps to use the right gear , the effects, the keyboards.

Pink Floyd live isn’t just musicians playing instruments; there’s also the  lights and the props and so forth, yet a club setting is on a smaller scale than the stadiums and coliseums where Pink Floyd has played, do you also have to scale down some?

Sometimes we have to scale down, but we’ll still be flying our pig; he’s about as big as a Volkswagen! Usually we tailor the size of production to venue we’re playing at. Even for an intimate venue we still put on quite a production.

Do you ever have an evening where you play an entire album?

We do that a lot, In fact, we’re doing two albums at Bogart’s , Wish You Were Here and Animals. The last time we played Bogart’s we did Dark Side of the Moon in its entirety

Have you ever done The Wall in its entirety?

Yes; in fact, it got so big had to retire it.  That culminated at Time Warner Cable Ampitheater; that was in 2008. We also performed it in theaters. Ultimately it got too big for us to do it anymore.

What’s your favorite Pink Floyd song?

I would say “Dogs.” That’s my favorite song to play live. “Hey You” is one of my favorites, and “The Great Gig in the Sky.”

Do you ever travel back to the Syd Barrett days?

We always at least two Syd Barrett tunes.

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Music on Ludlow Avenue

Rose Room

There’s some exciting and free music coming in the next few days at Sitwell’s, starting with the Rose Room on Monday, April 1, at 8 pm. Two of the four members of the Rose Room – George Cunningham on guitar, and Don Aren on upright bass – are also in the Faux Frenchmen, so as you might expect their music explores a period of jazz whose roots preceded bebop.

There’s less of a gypsy jazz, emphasis, however, and more of a focus on swing, with clarinetist Joe Lukasik echoing the days when Benny Goodman was all the rage. Chris Arducer, a veteran of the Bears, rounds out the group on drums.

It also bears mentioning that the Faux Frenchmen will be performing Wednesday, April 3 at 8 pm. They’re at Sitwell’s almost every Wednesday, and I’ve never walked into one of their shows when there wasn’t a crowd. Those Wednesday night gigs are a cheap (i.e., free) and very convenient way to hear some great music and mingle in a low-key setting.

I’m also very excited to hear that J. Gumbo’s (at 286 Ludlow Avenue) is now hosting open mics every Saturday from 6pm to 10pm. It’s been a long time since there have been open mics on Ludlow Avenue; they used to be a mainstay at Arlin’s, but not any more. I’ll be writing more about the J. Gumbo’s open mics, but for now I’ll just add that the shows are hosted by Nicholas Lawson, who interested musicians can contact by phone (513.312.5204) or email (nickyisdeep@gmail.com).

To get back to Arlin’s for just a second, I noticed the other night that their increasingly interesting draft beer selection now includes a Three Floyds beer. There was a time, not too long ago, when in order to enjoy a Three Floyds I had to drive to Indiana. I can’t say I didn’t enjoy the experience, but now I can take a few steps and enjoy a Three Floyds on tap. The beer in question was a Pride and Joy, as as someone who has sampled much of their product as part of my never-ending goal to find out what is the best beer in the world, I can only say,  this very drinkable yet flavorful mild ale is one of the best Three Floyds beers I have had.

Also, a reminder that Gaslight Property still giving away tickets to the Wish You Were Here concert at Bogart’s on Saturday, April 9. To receive free tickets, just drop by the Gaslight Property office at 311 Howell between 9am and 5:30 pm Monday through Friday or Saturday 10am to 2pm. Or just call me and I’ll give you some myself; I live in the Gaslight District and my phone number is 513.281.3266.

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William Ackerman Interview in The Absolute Sound

I began writing for a magazine called The Absolute Sound about five years ago. For those of you who haven’t heard of The Absolute Sound (hereafter referred to as TAS), it was founded in 1973. Primarily TAS focuses on audiophile stereo equipment; it also contains a music section, and I publish reviews, interviews and feature articles in that part of the magazine.

Writing about music is something I’ve always enjoyed, and from the beginning contributing to TAS was fun. Quickly, though, I grew to love it. Partly that’s due to a coincidence: I was a vinyl record lover even when records bordered on extinction, and shortly after I joined the magazine a vinyl resurgence began taking place. It turns out I was at the perfect place to celebrate that  surprising bit of news. I doubt any magazine on the planet grumbled more about the fact that vinyl had become an endangered species; now we celebrate both analog and continually improving digital recordings.

That’s part of what I love about the magazine. Also, I chat a lot on the phone and email back and forth with people from around the world who are connected to the music industry in one way or another. As opposed to corporate behemoths, these folks selling music, stereos, record cleaners and other accessories work on a smaller scale, emphasizing quality over quantity. Often they’re testing unknown waters and taking risks, and they do so because they’re driven by a passion. Examples include the Rune Grammofon label, whose new deluxe 7-LP release by Norwegian musician Arve Henriksen epitomizes the labor of love record-making can involve. The Lithuanian label NoBusiness Records also come to mind; in a few years this new small label has put out dozens of avant-garde jazz records on vinyl. I’m also impressed by the Paris-based Sam Records, whose passion for reissuing killer jazz LPs includes recreating album covers from the original artwork. And there’s Gotta Groove Records in Cleveland, a record pressing plant that didn’t even exist a few years ago. People must have thought they were crazy to open a plant at that time; now they need two full-time shifts to keep up with demand.

Clearly that same passionate and devil-may-care spirit was embodied by William Ackerman when he founded Windham Hill Records in 1976. He didn’t foresee or plot to achieve massive success; he just wanted to release some good music. In fact, when the label got too large, he went the other way. Now Ackerman has started over. Before I interviewed him for TAS I had no idea that the result would be so provocative and inspiring. In a later email he compared our discussion to a tennis game, and I feel that when I read the interview. The Absolute Sound posted it online, and here’s a link to it:

William Ackerman Interview in The Absolute Sound:

 

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Annette Shepherd, Eclectic Torch Pop Singer

For the first time ever I stepped foot in The View Cucina Friday night, and as soon as I walked in I thought, why haven’t I come here before? A lounge-y kind of cocktail-y vibe quickly came over me, to the point where I half-expected Dean Martin or Julie London to come peeking out from behind a corner.

What enhanced the vibe was the music, which seemed to fit the space and the ambience so well you mighta thought the music was created first and then the room was designed to complement that. On guitar was Brian Lovely, who along with a host of other musical pursuits performs every Wednesday at Sitwell’s with the Faux Frenchmen. As with that ensemble, Lovely combined jazz with a gypsy style, and he blended in perfectly with a female vocalist who was unfamiliar to me. After one song (a cool rendition of a Dean Martin’s “Sway”)  the band went on break, whereupon I learned that she was Annette Shepherd, who I’d read about in cyberspace but never heard before. While I was able to hear another set, and enjoyed it (especially the cover of Leonard Cohen’s “Dance Me to the End of Love”), I was disappointed to learn that I missed, in the previous set, her take on “Walk Like an Egyptian.”

Knowing that she had recorded my nearly favorite song—not, by a mile, your typical fare for such a jazzy ensemble—was enough to convince me that I needed to buy Annette’s new CD, I Only Have Eyes for You, which I listened to when I got home. As a writer for The Absolute Sound, I once embarked on a feature article that was an overview of up and coming female jazz vocalists. My research involved asking record company marketing reps from round the world to send me CDs by vocalists on their labels, and by journey’s end I’d sifted through piles of new recordings. Some were great, some were horrible, and most were in between.

None of those CDs did a better job of mixing styles in a way that kept the CD fresh from beginning to end than I Only Have Eyes for You. It begins with a straightforward jazz version of the jazz standard, “I Remember You,” and although the tempo’s a little sped up, the title track is also a nice straightforward jazz performance. At times there’s more of a European flair, as you might expect from title like “Veinte Anos” and “La Vie En Rose.” The CD also has a sense of humor, as evidenced by the Bob Dorough gem, “I’m Hip” and the aforementioned “Walk Like an Egyptian,” where the band—which includes some colorful improve from a band that includes Brian Lovely and another Faux Frenchmen member, violinist Paul Patterson—takes off on a magic carpet ride; I can almost see the foreign types with their hookah pipes.

Good song selection, thoughtful arrangements, and a willingness to take chances (she serves up “Autumn Leaves” with a twist, but it works) distinguish I Only Have Eyes for You. Oh, and Annette’s singing is spot-on throughout: natural, unforced, and free of the histrionics that in the wrong hands can make jazz singing a painful experience.  I found out during the break that, after years of performing there, this was to be her last night at The View Cucina, which only underscores the notion that Jeff Wilson finds out about cool things right as they’re about to end…but I have a hunch that Annette Shepherd will soon find a regular gig in another perfect place. You can hear I Only Have Eyes for You on soundloud – here’s the link:

Souncloud – I Only Have Eyes for You by Annette Shepherd

Also, check out her website, www.annetteshepherd.com/

***

I also wanted to pass along that Gaslight Property just had a great 2 bedroom apartment open up in the highly sought-after Clifton Manor building, in the heart & soul of the Gaslight District, at 3654 Middleton. It’s a nice stroll to Ludlow Avenue, Clifton Cultural Arts Center, Fairview German Language School, and Mt. Storm Park. It has beautiful hardwood floors, and gets a ton of sunlight. Call 513.861.6000 to schedule a tour.

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A New Delivery Service – What a Great Idea!

(Update: The Midnight Express has now expanded its hours: service now begins at 5 pm. The phone number, again,  is 513.462.1562.)

A door hanger ad appeared on my doorknob a couple days that, when I looked at it, sparked this thought: Shazam, that’s a good idea!

It’s one of those ideas that many of us have imagined at one point or another—especially when it’s late at night and we have the munchies but we’re too tired to go out for food—but it’s one thing to imagine something and another thing to do it.

The Midnight Express (513.462.1562) is a new business serving the Clifton and downtown area that delivers food and beverages from nearby restaurants from midnight to 6 am seven nights a week. On their door hangar they throw out suggestions that include fast food (White Castle, Skyline) and fancier fare (Shangai Mamas); they also deliver from places like Walgreens and CVS, which means they don’t limit what they can deliver. As the mastermind behind The Midnight Express (Cassidy Mullen, aka “Dr. Midnight”) put it when we chatted on the phone, “You tell me what you want the Midnight Express to be, that’s what we will be.”

His flexibility extends to locations for delivery as well. His door hanger ad listed Clifton and downtown, but during our phone chat I quickly learned that the neighborhoods he’s delivered to include Clifton Heights, Corryville, Walnut Hills, Northside and northern Kentucky. Although he cannot yet deliver alcohol, he’s working on that. The fee for the service is $5 plus 10% of the sale price; tips are accepted but not mandatory.

Also, he has specials, including:

  • Sunday is J. Gumbo’s night, with a $3 surcharge instead of a $5 surcharge;
  • Monday is Ladies Night, when all females get a $3 surcharge instead of a $5 surcharge;
  • Tuesday is Skyline night, with a $3 surcharge for all Skyline deliveries;
  • Wednesday is White Castle night, with a $3 surcharge for all White Castle deliveries.

I like this idea on all kinds of levels. One of the things I’ve always liked about Clifton and thereabouts is their convenience, and Midnight Express just made it more convenient. A delivery service means fewer cars on the road and less gas consumed, and it also means fewer drunk drivers. Also, I like small business entrepreneurs. When I spoke to Dr. Midnight he was enthusiastic and polite and very professional. He envisioned a day when The Midnight Express would expand its hours, and it sounds as if that day will come soon.  Per Dr. Midnight, “5-2-5 is what this service will be, and be referred to very shortly.” So save his phone number—513.462.1562—on your cell and call him the next time you have a hankering for food or whatever else you need. I also recommend checking out his Facebook page to find out more about him.

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Also, a quick reminder that  Gaslight Property has  free tickets to give away for the Pink Floyd tribute band Wish You Were Here on Saturday, April 6 at Bogart’s. To get a free ticket, all you have to do is:

  • Subscribe to this blog, which takes seconds (on the right side of this webpage, type your email address where it says Subscribe to the Blog and then click Subscribe); and
  • Pick up the tickets at Gaslight Property’s office at 311 Howell Avenue (right behind UDF) in Clifton from 9am – 5:30pm Monday through Friday and 10am to 4pm on Saturday. If you have any questions, call Gaslight Property at 513.861.6000.

And that’s it! You do not have to be a Gaslight Property tenant, but you definitely can be. Also, anyone who was already subscribed to the blog is also entitled to free tickets. Please note that there’s a two ticket limit. The show starts at 8pm, and it’s an all ages show.

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Guitarist Peter Banks Passes Away

Today I learned that Peter Banks, the original guitarist for Yes, passed away a few days ago. Because Banks belonged to Yes before The Yes Album, their first big-seller, he’s not nearly as well-known as his successor, Steve Howe. A musical footnote he is not, however, as I learned when, ages ago, I purchased a copy of his first solo album, Two Sides of Peter Banks. The two things you would fear from guitarists—their own bad vocals plus a never-ending display of virtuosity—are absent. The record is entirely instrumental, and it’s also quite tasteful, with some sweet acoustic work as well as some colorful electric guitar. Vinyl enthusiasts who enjoy this track from Two Sides should be aware that the record isn’t expensive or particularly rare, which underscores my belief that, while records that are worth a lot acquire a certain mystique, there are all kinds of mind-blowing albums out there that you can snag for a few bucks. And while Peter Banks made other good records (the first Flash album also sticks out), Two Sides of Peter Banks is a good place to start. Here’s “The White House Vale” from that album: Read More »

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Free Tickets to Wish You Were Here at Bogart’s

Gaslight Property is happy to announce that we have 200 free tickets to give away for the Pink Floyd tribute band Wish You Were Here on Saturday, April 6 at Bogart’s. To get a free ticket, all you have to do is:

  • Subscribe to this blog, which takes seconds (on the right side of this webpage, type your email address where it says Subscribe to the Blog and then click Subscribe); and
  • Pick up the tickets at Gaslight Property’s office at 311 Howell Avenue (right behind UDF) in Clifton from 9am – 5:30pm Monday through Friday and 10am to 4pm on Saturday. If you have any questions, call Gaslight Property at 513.861.6000.

And that’s it! You do not have to be a Gaslight Property tenant, but you definitely can be. Also, anyone who was already subscribed to the blog is also entitled to free tickets. Please note that there’s a two ticket limit. The show starts at 8pm, and it’s an all ages show. For some music fans it will be an opportunity to visit the iconic Bogart’s for the first time, and others will have a chance to see just how both the club and the neighborhood have been coming along, as I began to address in this previous blog entry:

http://www.gaslightproperty.com/free-tickets-to-santigold-friday-night-and-whats-new-at-bogarts/

Since that blog entry some new restaurants have been popping up on Short Vine, and in near-future blog entries I’ll be highlighting some of the cool new things on the strip that’s really coming into its own again.

Wish You Were Here has been performing all-Floyd concerts since 1995. Along with playing songs from every period, Wish You Were Here goes for full Floyd experience, including lights shows and inflatables that fly overhead. To whet your appetite, here’s some footage from a recent Wish You Were performance of the Pink Floyd classic “Comfortably Numb” from The Wall (how about that guitar solo?):

 

 

 

 

 

 

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Chris Comer Trio at CCAC This Thursday

It’s going to be a very musical evening this Thursday at the Clifton Cultural Arts Center, with Cincinnati jazz artists the Chris Comer Trio performing from 7 to 8:30 pm. For this special engagement the trio will be adding saxophonist and flautist Dan Barger. Dan plays all over the place in Cincinnati and is in several bands, including Los Honchos, Frequency, Don’t Fear The Satellites, Iolite and some of the local salsa bands that play frequently at Fountain Square. Because the event will be held in the top-floor auditorium, “where the sunset streams through the windows,”  the concert is part of CCAC’s “Sunset at the Center” series.  Tickets are available here:

TICKETS FOR CHRIS COMER AT CCAC

Underscoring the musical nature of the event is the special preview of the Dick Waller Retrospective: Music at an Exhibition, which will have its full opening celebration on March 17. Along with founding the Linton Chamber Series and being principal clarinetist of the Cincinnati Symphony Orchestra, Dick Waller has developed a style he calls free association painting. A chief source inspiration for Waller’s painting has been the classical composer Bela Bartok.

The Chris Comer Trio stays very busy playing jazz in the Greater Cincinnati area, but the pianist and band leader had time to answer a few questions I threw his way recently:

Tell me about the Chris Comer Trio.

The CC3 is a “traditional” piano trio format consisting of piano, upright bass and drums. We play mostly standards from the American Songbook. We do try to work in a few more contemporary tunes than your more traditional trios, though, like an occasional Frank Zappa or Pat Metheny tune, or a few pop tunes. We’ve even been known to do a Kristofferson or Willie Nelson tune once in awhile. Christmas music is big with this trio, but that’s limited to six weeks out of the year!

What do you like about the piano trio format?

A jazz piano trio is a “pure” format, like a string quartet in classical music. There’s a limitation to the voices and sounds, since we stick with piano, bass & drums…but it’s what you do with that format that either stands out from the rest or not. Perhaps a piano trio is a dime a dozen, but what Bill Evans or Keith Jarrett do with the trio is an amazing things indeed, like what Bartok does with a string quartet. The piano trio in jazz is the ultimate canvass to paint on.

Who are some pianists you like?

Keith Jarrett, Bill Evans, Hampton Hawes, Duke Ellington, Monty Alexander, Steve Schmidt, Ricky Nye, Roy Meriwether, Tord Gustaffson, Bobo Stenson, Ahmad Jamal….. I used to really like Paul Bley too.

I know you play all over the place, but is there a venue where you appear every weekend, or…

We play the Chez Nora Rooftop Lounge pretty often, but nothing is currently booked. We like that room  alot. It’s a REAL jazz club. Come see us next time we hit Chez Nora! We’ll be back soon.

If someone wants to book you for an upcoming event, how should they get in touch with you?

For more information on The Chris Comer Trio go to http://www.chriscomertrio.com/

Chris Comer

The Chris Comer Trio

(513) 351-7502

Chris@ChrisComerRadio.com

Finally, here’s some youtube footage of the Chris Comer Trio with a guest guitarist at the Greenwich Tavern:

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400 Years of What

Had some fun this weekend, starting with a visit to Aquarius Star’s Om Cafe Friday night, where the free menu party was packed.

 

 

 

 

 

 

 

 

For a quick update to some of the new things happening at Aqaurius Star Om Cafe, here’s a link to a recent blog entry I wrote:

Link to Aquarius Star

Read More »

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Jazz at Schwartz’s Point (Plus Some Greenwich Tavern Footage)

So much time had passed since I’d visited Schwartz’s Point that the last time I was there it wasn’t completely…well, legitimate, to state thing euphemistically. During its previous incarnation, I felt kind of like I was at a speak-easy, which is a rare feeling since they don’t exist anymore. (Why did they have to do away with Prohibition? I’m sure it was more fun sneaking around to have a drink.) After dropping by last night I’m happy to report that it still kind of has a speak-easy like vibe to it: note the Oriental rugs in the windows, which along with cushioning the sound help give the club an exclusive vibe. A nice intimate club in a great old Cincinnati building: check the photo on their website and (if you don’t know already) you’ll remember passing it countless times and wondering what it was.

Read More »

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The University of Cincinnati: A Photographic Tour

(NOTE: THIS IS ONLY PART 1 OF THE TOUR; I’LL SHOW YOU THE REST IN THE NEXT ROUND)

Because the weather was sunny and warm, I grabbed the camera and went for a walk a couple days ago. Roaming around the University of Cincinnati sparked memories that included, in some cases, the actual construction of some buildings. The first structure I witnessed was the DAAP building, designed by the starchitect Peter Eisenman. Cincinnati is known worldwide for its high concentration of signature buildings, and the DAAP Building is among the most famous. In 1996 I was there the evening that the building was officially dedicated. Eisenman was there, and so was Michael Graves, whose nearby engineering building was another new signature building. Graves (whose architecture is considerably less avant-garde than Eisenman’s) ribbed his colleague a few times during their talk, as when someone apologized for being late because he couldn’t find the auditorium in the maze-like structure. “If you want to understand my architecture,” Eisenman explained to the audience, “you have to start with the fact that I’ve my last 20-? years on the couch.” A short time after the very colorful structure was finished Cincinnati author and UC creative writing professor Dallas Wiebe wrote a letter to the editor that noted the uncanny resemblance between the colorful and sprawling DAAP building and the under-appreciated El Rancho Rankin. Sadly, Cincinnati’s finest motel has since been demolished, a tragedy that puts me in mind of an old Joni Mitchell song where they paved paradise and put up a grocery store. During the talk, Eisenman lamented the fact that current architecture students are now required to delve more deeply into the mechanical side of things, which he considered beneath their profession. Since it was built in 1996, the DAAP building has had numerous mechanical problems, which may be more of a blessing than a curse: it shows DAAP students that architecture is a process as opposed to a series of structures that exist independent of time. Presently it’s undergoing its second major renovation that will address, in part, water leakage. Here are some pictures I took this week of the current construction: Read More »

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Free Menu Party at Aquarius Star & Om Cafe on Friday

This Friday, March 1, from 7 pm to 10 pm, there will be a menu party with free wine and food at Aquarius Star & Om Cafe at 329 Ludlow Avenue in Clifton. The party will be celebrate their new chef, Gary Garitson, and it’s also a way to shed light on some of changes taking place starting March 1.

Those changes include new hours – 7:30 am to 7 pm 7 days a week – and a streamlined focus. “The Om Café is our main focus now,” owner Lydia  Stec said. “We’re putting the seating up front, when people walk in the door, because we want to bring the cafe front and center.” The cafe is also going to look different, with (among other things) new signage in the windows. New look, new focus – and yes, new menu.  When I talked to Lydia, she seemed most excited about the fact that Gary Garitson is joining the staff as the new chef. The emphasis will continue to be on locally grown and organic ingredients, and the menu will continue to be affordable. The cafe is excited enough about his skills as a chef, however, that it’s having this special event Friday night.

A quick reminder that there are several apartment buildings Gaslight Property owns within walking distance of Aquarius Star & Om Café—and, in fact, one of them is right across the street, as Gaslight rents apartments above Graeter’s (the street address is 3405 Telford). Call 513.861.6000 to set up an appointment to look at one of these units today.

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Marty Balin Coming to Town (Part 2)

After Bathing at Baxter’s was the album where the Jefferson Airplane broke the mold. After two relatively homogeneous records that built a large following, they proceeded to enter a laboratory and experiment (in more ways than one). Progress was slow, and there was a lot of knob-twisting while record execs wondered what the hell was going on in there. Considering the spirit with which the record was made—and the time period—it’s a wonder the record isn’t more of a full-fledged freakout. One song was pure madness (“A Small Package of Value Will Come to You, Shortly”), and there was a long, open-ended instrumental (“Spare Chaynge”), but beyond that, the music remained tuneful. Read More »

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Marty Balin Coming to Town (Part 1)

I just found out today that Marty Balin from the Jefferson Airplane and Jefferson Starship will be playing at the Fairfield Arts Center next Saturday, March 2, at 8 pm. The Center is located at 411 Wessel Drive; tickets are $40 orchestra/$35 stadium; you can buy them by phone (513.867.5348), in person at the center, or online at this link. The show is a fundrasiser for Sojourner Recovery Services, an organization that provides substance abuse treatment .

Like I said, that’s the first I heard of this show, so I figure that this is new news for other people as well. Balin was, to the extent that they ever had one, the leader of the Jefferson Airplane early on; definitely he played a central role in forming the band. When I first started buying Airplane albums, they had already morphed into the Starship. I listened to everything from Takes Off (their 1966 debut) to Thirty Seconds Over Winterland (a 1973 live set). Like the Beach Boys and Fleetwood Mac, the Airplane was one of those bands where different artists grabbed the spotlight at different times. Sometimes that was due to shifting personnel, but that also occurred when the lineup stayed consistent. Read More »

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The Torch Singer From Down the Street

While passing Hughes High School and the University of Cincinnati, few people are aware that one of the great torch singers attended both of those schools. Probably few of the students know, either. But along with being one of the most famous jazz singers during the Jazz Age, Libby Holman was involved in a scandal on such a scale that a movie was based upon it.

With a title like Sing, Sinner, Sing, you can guess what the public thought about the matter. Yet no one was ever convicted, as authorities were never able to determine whether 20-year-old Zachary Smith Reynolds, heir to a huge tobacco fortune, committed suicide or was murdered.

Born in Cincinnati in 1904, Libby Holman pursued theater and music during high school and college. After graduating in 1923 she moved to New York, where after a string of small successes and the occasional flop, she went over big with The Little Show, a musical that included the song “Moanin Low.” That song will forever be associated with Libby Holman, and she also put her stamp on such standards as “What is This Thing Called Love” and “Body and Soul.” This was the kind of music that would have played at a party thrown by Jay Gatsby while flappers downed bathtub gin. Read More »

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Makin Heads Turn Salon in the Gaslight District

For the past few weeks this blog has focused a lot on new businesses popping up in the Gaslight District, some of which are slightly off the beaten path – and that also describes the new Makin Heads Turn Salon. Its address is 3307 Clifton Avenue, but if you’re walking down Clifton you won’t see see it, because it’s behind University Nails. Basically, then, it’s across the street from Bruegger’s Bagels if you’re facing toward Good Samaritan Hospital; technically it’s on the corner of Terrace Avenue and Clifton. (I should note that it’s a few doors down from Mediterranean King, who I raved about in this blog entry.)

Part of the salon’s appeal, then, is its extremely convenient location. Employees at Good Samaritan could walk over during their lunch hour or after work, and so could residents of the Gaslight District (and UC students, who receive student discounts). The owner of Makin Heads Turn, Saira Huckleberry, cut hair for many years at Head First Salon on Ludlow Avenue, so she’s a veteran who decided it was time to launch her own business. I recommend checking out the salon’s Facebook page, where Saira posts some of the cool haircuts that she’s given. So much of the reason that the Gaslight District is a great neighborhood is due to the fact that it has so many small businesses, and we’re happy to have this new addition. To make an appointment for a haircut, styling, coloring, hair treatment, re-texturizing, or waxing, call Saira at 513.407.3911.

Gaslight Property owns a wide variety of apartment buildings in the Gaslight District and within walking distance of Makin Heads Turn (and for that matter dozen of other small businesses on or near Ludlow Avenue and Jefferson Avenue). You can call 513.861.6000 to set up an appointment to look at a unit today.

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Last Day to Vote for Tudor Court; Jazz at Sitwell’s Monday; My Funny Valentine

 

Today is your final chance to show vote for Tudor Court Apartments in City Beat’s new Best of Cincinnati Readers Poll. The ballot is organized into six major sections, and one of them is Urban Life. At the top of Urban Life is the category of Apartment Community. That’s where you have an opportunity to vote for Tudor Court Apartments, which are owned by Gaslight Property and have a long Clifton history. You’ll also see lots of other Clifton businesses and venues worth voting for on the list:

City Beat Best of 2013 poll

 

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Celebrate Fat Tuesday Today at J. Gumbo’s Clifton

Considering their cuisine, it seems fitting that J. Gumbo’s Clifton (the address is 286 Ludlow Avenue, near Skyline) would be celebrating Fat Tuesday today, February 12. The festivities include live music: the dixieland band Queen City Dixie Cats will be playing from noon to 1 pm, and the blues group Them Bones will perform from 6:30 pm to 9:30 pm. More than 30 prizes will be given away throughout the day. I saw the letters BYOB on the flyer, which means you don’t have to overlook that part of the celebration.

Their “taste of New Orleans” menu includes such medium zesty items as gumbo, etouffee, bumblebee stew, and white bean chili; hot & spicy meals include drunken chicken, voodoo chicken, and voodoo chili. The special today is bumblebee stew. For future reference, here’s their contact info and their hours:

J. Gumbo’s Clifton
286 Ludlow Ave.
Phone 513-407-6930
Fax 513-407-6931

 

Hours:
M -TR: 11:00 am – 3:00 am
F – SAT: 11:00 am – 4:00 am
SUN: 12:00 pm – 12:00 am

Also, don’t forget to vote for Tudor Court Apartments for City Beat’s Best of Cincinnati 2013, And don’t forget about all the other great Clifton businesses that make us proud to call the Gaslight District home! Here’s the link:  City Beat Best of 2013 poll

 

 

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Vote for Tudor Court Apartments

City Beat’s new Best of 2013 Poll gives you to a chance for Tudor Apartment as best apartment community. The category is Urban Life, and at the top of that list is Apartment Community. Tudor Court deserves top rating because:

It’s old, and it has character. Tudor Court was built in 1930, when buildings had more style, and before prefab apartment complexes took over.

Location. If you’re looking for an apartment in Cincinnati, you couldn’t find a more central location than Tudor Court Apartments. Located on Ludlow Avenue, it’s inches from dozens of stores and restaurants.

Wide variety of apartments. Tudor Court has 88 apartment units, and that includes efficiencies, one-bedroom apartments, and two-bedroom apartments. That means that people who are looking for an apartment in Clifton have every possible choice for a dwelling in a single building.

History. You would have a tough time finding a person who has lived in Cincinnati and/or gone to UC who hasn’t been in Tudor Court or for that matter lived there. Mention the name Jerry Santini (the apartment manager for a looong time), and the odds are (if it’s a person over a certain age), they’ll know who you’re talking about (and probably have a story to share). Plus there’s always been someone renting the space near the corner of Ludlow and Middleton. Now it’s the Clifton Performance Theatre; past tenants included the Cove Café (an earlier incarnation of Sitwell’s), the Cove Lounge (a bar), and a ballet studio.

The City Beat best-of poll also provides plenty of other opportunities to vote for other Clifton businesses. Clifton choices include (but are not limited to) Arlins, Habaneros, Aquarius Star & Om Café, China Kitchen, Bogarts, It’s Yoga, Sitwells, Clifton House Bed & Breakfast, The University of Cincinnati, Burnet Woods (for best hiking trail), and many others. Here’s a link to the poll:

Best of Cincinnati Poll

 

 

 

 

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Subscribe, Subscribe!

Tudor Court Apartments, owned by Gaslight Property (513.861.6000)

I’ve been writing this blog for about a year now. Rather than run out of ideas,  I’m just scratching the surface. Mostly I try to focus on small businesses and creative types in the core of city (Clifton, Northside, Over the Rhine, downtown, etc.) with particular emphasis on spreading the word about people who are either the new  kids on the block – like Mediterranean King, for instance – or below the radar, like the Loft Society. It’s actually gotten to the point where people are contacting me to tell me about their new album, book, store, etc., which is great – and I encourage anyone reading this to do the same. My name is Jeff Wilson; call me at 513.281.3266 or email me at disdat@hotmail.com, and I’ll be happy to give you some publicity. As for subscribing, there’s a place to do that on the right side of this page, where it says Subscribe to Blog via Email. I update three times a week normally, and I promise to keep it informative and entertaining. Some folks ask me how I can be an expert on both avant-garde jazz and turncoat football coaches (Brian Kelly, for instance), and I don’t know how to explain it; it just is. I also like to write about apartments in Clifton, especially the ones connected with Gaslight Property, and you’ll see more of that.

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A New King Records Compilation

Often I receive review copies in the mail of upcoming releases, and there’s some entertainment value in opening the mailer and discovering what’s inside. As you might imagine, they’re not all masterpieces—but occasionally you end up with some nice surprises.  Yesterday something showed up called Hipshakers, Vol. 3: Just a Little Bit of the Jumpin’ Bean. While the title didn’t give it away, I could tell by the 45 labels plastered across the cover that it was a King Records compilation (more accurately, King Records and its subsidiary Federal).

That’s the third compilation in a series devoted to songs released on a Cincinnati label whose depth of talent was remarkable. This Hipshakers includes some of the better-known artists— Little Willie John and Freddy King, for instance—as well as a bunch of names that, for me, were either less familiar or totally unfamiliar.

For me, that’s much of the fun of the compilation—tuning into artists whose output was sometimes limited to a handful of singles (or in some cases one). People like Tiny Topsy, a female singer who belts out “Just a Little Bit” like it was nobody’s business. Or El Pauling and the Royalton, a 5 Royales spinoff; their “Solid Rock” has a mean guitar lick and is a much an early rocker as it as an R&B dancer. Read More »

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The Kissing Club to Play Sitwell’s Coffee House Monday

Monday at 9 pm a New York band called The Kissing Club will be performing at Sitwell’s Coffee House. Their music has been described as “two people making music with guitar, cello, electronics, and voice. Quiet, intimate, and explosive. Like Philip Glass, Nick Cave, and CocoRosie sharing a French cruller while reviewing divorce papers.” Word has it that the Kissing Club just released Tapdancer, which probably has something to do with the fact that they’re hitting the road to play some shows in Ohio and Pennsylvania.

Even though their competition included bigger names, Little Acorn by The Kissing Club managed to show up on this best-of list for 2011. In the reviewer’s words, “This little four-track EP is like a handcrafted invitation to a divorce, or perhaps a peace offering of love gone awry. While the very slow songs scratch at the bones, a classic-rock-style guitar solo on “Someone Else” breaks the supposed tranquility and reminds us just how purposefully restrained these “sweet” songs really are.” Read More »

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Mediterranean King on Clifton Avenue: Great Food, Great Atmosphere

Mediterranean King is located at 3307 Clifton Ave., which is very near the corner of Clifton and Dixmyth, on the same side of Clifton Avenue as Bruegger’s Bagels. Because the storefront is small and inconspicuous, I was surprised to discover that on the inside the Middle Eastern restaurant was both spacious and attractive, with exotic music that’s just barely audible adding to the atmosphere.

In other words, if you want to sit down and experience a meal in an environment that’s relaxing and aesthetically pleasing, I recommend Mediterranean King. On the other hand, if you’re on the run, Mediterranean King can be counted on to deliver quick and affordable foods that are much tastier than you would expect when you read those adjectives.

I tried their chicken kabob and falafel sandwiches and loved them both. Typically I find falafel way too greasy, but with theirs all I tasted was falafel. They serve a buffet Monday through Thursday from 11 am to 2 pm (and Saurday from noon to 3 pm), and on Monday through Friday they also have a special that they announce on their Facebook page. Every day the special highlights food from a different country, including Yemen, Saudi Arabia, Palestine and Jordan. Read More »

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Vote Clifton!

Hey folks, here’s a chance to show some support for the best neighborhood in Cincinnati. City Beat’s new Best of Cincinnati Readers Poll is now upon us, and Clifton pops up all over the place on it. The ballot is organized into six major sections: Eats, Shops & Services, Arts & Nightlife, Public Eye, Jocks and Urban Life. You don’t have to vote in every individual category, although you can if you’d like. The Clifton choices include (but are not limited to) Arlins, Habaneros, Aquarius Star & Om Café, China Kitchen, Bogarts, It’s Yoga, Sitwells, Clifton House B & B, The University of Cincinnati, Burnet Woods (for best hiking trail), and many others.

At the top of Urban Life is the category of Apartment Community. That’s where you have an opportunity to vote for Tudor Court Apartments, which are owned by Gaslight Property. Tudor Court has been part of the Clifton experience for longer than any of us have been alive, and Gaslight Property, a family-owned business located in the Gaslight District. The owners grew up in the Gaslight District and still live there, and they’re strong supporters of the community.

Here’s a link to the City Beat poll:

http://citybeat-survey.wehaaserver.com/survey-6-best_of_cincinnati_2013.html

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Aquarius Star & Om Cafe

It’s been three years since Aquarius Star & Om Café opened at 329 Ludlow Avenue, which is long enough to make its presence felt. From the beginning the cafe has stood out as a “green” café that featured direct trade coffee, authentic European espresso and healthy food with fresh, locally grown and organic ingredients. It also sells incense, crystals, jewelry, and (a hot item, by the way) “Ski Cincinnati” t-shirts.

Three years is long enough to become a staple in the neighborhood; it’s also long enough to take stock of how things have gone thus far and make some changes to better serve customers. When I spoke to the owner of Aquarius Star & Om Café, Lydia Stec, she mentioned that the store’s hours are going to change. Right now it’s open 8:30 am to 5 pm every day, but starting March 1 their hours will be 7:30 am to 7 pm every day.

Things will also be simpler and more streamlined. “The Om Café is our main focus now,” Lydia said. “We’re putting the seating up front, when people walk in the door, because we want to bring the cafe front and center.” Lydia also mentioned upcoming changes for the kitchen and the menu that coincide with the March 1 deadline, and when that date gets closer I’ll devote an blog entry to the subject.

Speaking subjectively, I want to mention two things that for me make Aquarius Star & Om Café such a welcome addition to the Gaslight District. For me the burning issue is coffee, and they have some really good ones. Their house coffee and their #1 seller, the rich, hearty Om Blend, is roasted locally by Coffee Emporium. “All our coffee is organic, shade-grown and direct trade,” Lydia said. “My roaster has direct relationship with farmers. It’s shade-grown, which makes it less acidic.” Another highlight is their Mexican coffee.

Also, I like the space itself, which is large and open, with plenty of seating options. You can go there alone to read or study, or you can socialize with your friends (or hold a meeting). The front windows off the best of both worlds: you can see what’s going on out in the busy world, but you’re sitting in a space that’s quiet and relaxed.

Aquarius Star & Om Café have a website, www.aquariusstar.com. Also, feel free to like them on Facebook, where they’re listed as Aquarius Star, Om Cafe & Shangri-La Spiritual Center.

There are several apartments building that Gaslight Property owns within walking distance of Aquarius Star & Om Café—and, in fact, one of them is right across the street, as Gaslight rents apartments right above Graeter’s (the street address is 3405 Telford). Call 513.861.6000 to set up an appointment to look at one of these units today.

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Diana Vreeland: The Eye Has to Travel is Playing at the Esquire

The documentary Diana Vreeland: The Eye Has to Travel is now at The Esquire Theatre. Diana Vreeland was a famous and extremely influential fashion editor of Harper’s Bazaar from 1937 to 1962 and editor-of-chief  at Vogue from 1963 to 1971. I attended this documentary about a woman who acted as a guru in the women’s fashion world even though I rarely give much thought to women’s clothes, or for that matter men’s clothes, even though I wear them. When it comes to matters of style, I appreciate well-designed cocktail glasses and elaborate swizzle sticks; sleek blonde furniture, the more modular the better; old stereo components; and 1950s album covers with photographs of jungle imagery, spaceships, or people enjoying cocktails. Where men’s clothes are concerned, I like vintage skinny ties and porkpie hats. That’s a short and unimpressive list, but nonetheless I enjoyed Diana Vreeland.

Partly that’s because I’m a sucker for documentaries, and this was a well-made one that fully revealed Vreeland’s vibrant personality. During the 1960s, when other editors debated whether to connect with the youth culture, Vreeland plunged headfirst into what was happening. Here she comes across not as opportunist but as someone who truly embraced the wild energy of that period. And while there were people around her who made a lot more money, on her modest salary and her so-so looks she became a sort of rock star whose “work” was extremely creative. Her discoveries included Edie Sedgwick and Lauren Bacall; Jackie O was a fashion advisee; and her friends included, well, rock stars, among them Mick Jagger.

What set Vreeland apart from other people was her extreme openness. In her mind everything overlapped; somehow she connected to fashion things like surfing, horses, and planes that did or didn’t fly right above her when she was a child. At the beginning of the movie I thought we were worlds apart, but by the end I felt differently. Like many people I’m a fan of sixties pop culture, including pop music, and this movie showed me how the fashion world intertwined with that, especially in Diana Vreeland’s head.

If you’re curious what else is showing at the Esquire, here’s their website: www.esquiretheatre.com. Also, be aware that Gaslight Property has several properties within walking distance of the Esquire, including Tudor Court Apartments; 3405 Telford, which is above Graeter’s; and the Jonathan Apartments at 451 Ludlow. You can call 513.861.6000 today to set up an appointment to look at these spaces or any of the other apartments Gaslight Property has in greater Cincinnati.

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Beer Tapping at Olive’s on Wednesday, January 23

A quick note to beer drinkers and food-lovers: at 6 pm on Wednesday, January 23 a beer tapping will take place at Olive’s on Ludlow. “Two Brothers Beer Tapping” said the sign I saw when I walked into Olive’s last night. When I asked the waitress, she said that this was a first for the Clifton restaurant/bar; they have a new manager who’s eager to try some new things, and if people come out for the first beer tapping, they’ll keep having them.

Two Brothers is a brewery out of Illinois that can currently only be found in five states. So, we’re among the lucky few. You’d be even luckier if you could walk to and (especially) from Olive’s. Gaslight Property has several properties within walking distance, including among them Tudor Court Apartments; 3405 Telford, which is above Graeter’s; and the Jonathan Apartments at 451 Ludlow. You can call 513.861.6000 today to set up an appointment to look at one of these spaces. Read More »

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New Nelson Slater LP Out on Vinyl!

Last night my friend Nelson Slater dropped by accompanied by his loyal and sometimes cantankerous canine Riley Martin. The three of us chilled out and played records, which is nothing new, except this time something special was on the turntable.

More than 35 years have passed since Nelson released his first LP, Wild Angel. The record was produced by Lou Reed, who roomed with Nelson at Syracuse University. The two of them played together in bands before the Velvet Underground formed and then remained friends. Since Wild Angel Nelson has continued to play music, and lots of it; every time I visit his house I see stacks of cassette tapes that contain music he and his cronies have taped over the years. But a new, full-length LP on vinyl has eluded him—until now, that is.

The release of the new full-length Steam-Age Time Giant is big news, and I felt honored that he chose me to be the person who first person to drop the needle on the test pressings that arrived in the mail yesterday. Never mind that I was perhaps the one buddy within walking distance who had both a turntable and at least a fairly decent-sounding stereo; I’d like to think to think that our friendship and our shared love of music had something to do with it as well.

The record is a lo-fi affair due to low recording levels. As far as I can tell all the cuts are “live,” i.e., no multi-tracking or overdubs, and at times things get kinda messy. That’s fine with me. In this context the strength of the songs comes through, as does Nelson’s voice, which is as strong as ever. That’s what matters.

I hear two distinct periods of music when I listen to Steam-Age Time Giant. One is early, mostly pre-Beatles rock, pop and soul—everything from Phil Spector to King Records to the stacks of R&B 45s Nelson has sitting around his house. That music got under Nelson’s skin at an early age and it never left. That’s part of what makes his music so unique.

I also hear the 1980s. I’m thinking here of cuts like “Panic” and the gloomy “Slaves of the Modern Age,” an all-too-true observation about how civilization has devolved.

A big surprise is the short off-kilter blues number “Just a Taste,” featuring acoustic piano and a saxophone. My favorite cut may be “Lonely Weekends,” a revved-up garage rocker. It blasts out of the gates and is still in hyperdrive during the fade-out. I also like how Nelson’s voice blends with Lesli-Anne Nachbauer on “Complete This Story.”

Steam-Age Time Giant is coming out on Are and Be Records, a subsidiary of the Lost Treasures of the Underworld label from Columbus. You can order a copy through the Lost Treasures of the Underworld website, losttreasuresoftheunderworld.com. Also, Nelson’s New York posse should know that his records will also be available at Kim’s on First Ave, Rebel Rebel in the West Village, and Academy Records on East 11th.  As for us Cliftonites, if you see Nelson walking around Clifton with Isis and Riley Martin (or holding court in the Aluminum Room), feel free to discuss business (and get the latest on Arcturus).

Here’s some footage of Nelson Slater performing at Arlin’s, a bar  that’s located within walking distance of several Gaslight Property apartment buildings, among them Tudor Court Apartments; 3405 Ludlow (above Graeter’s); and the Jonathan Apartment Building (451 Ludlow). Arlin’s is also a hop, skip and a jump away from the Proud Rooster and Ludlow Wines, which are also owned by Gaslight Property.

http://youtu.be/dtBaEQ3dE2k

Finally, here’s a picture I snapped of the irrepressible Riley Martin, who immediately claimed a seat atop a chair and stayed there, knowing the whole time where he wanted to be in the room. “Don’t tell him he’s a dog,” Nelson advised, “because he doesn’t know that.”

 

 

 

 

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Annunciation School Open House To Be Held on Sunday, January 27

Open house will take place Sunday, January 27 from 12:30 to 2:30 at Annunciation School in Clifton. This is an exciting time for the school—it’s approaching its 100-year anniversary—and principal Cindy Hardesty encourages families to visit so they can find out what’s special about Annunciation School.

“Faculty will be on hand to give guided tours,” she said. “Come see what we’re all about. We’ll be accepting open enrollment beginning on Monday, January 28. We’ll be accepting applications for preschool through eighth grade. Many classes are at or near capacity, so don’t wait too long.

Located at 3545 Clifton Ave., Annunciation is a staple of Clifton that benefits from a convenient and centralized location that encourages a strong sense of community. Many kids walk or ride bikes to school.

That sense of connection is shared by the teachers. “Our teachers are vested in the school and community,” Cindy said. “I live in the neighborhood and some of our teachers do. It’s definitely a community school.”

Annunciation also boasts a sense of continuity and shared history. “We teach kids whose parents also attended Annunciation,” Cindy said. “There’s an element of legacy.”

Cindy also mentioned perks you wouldn’t necessarily expect from a small, family-oriented school. “We have a full-time preschool,” she said. “We have afterschool care. Also, we have basketball, volleyball and track. We have a choir. We have art, music and PE.”

At Annunciation 100% of the teaching and auxiliary staff are fully certified and hold Bachelor Degrees, and 70% hold Masters Degrees. Annunciation School’s current 1st & 2nd grade teachers are sisters and have been giving young children a very strong reading and learning foundation for decades.

This testimonial from a Clifton resident shows appreciation for a quality education: “Our family lives, works, and plays in Clifton Gaslight. It is very important to us to stay community oriented and send our children to a grade school in our neighborhood. Annunciation is that school for us. Currently, our family has 3 young children attending Annunciation. Our extended family includes several Annunciation alumni who have gone on to excel academically and professionally.” – C.C.T. (Clifton Resident)

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The New iswhat?! Album is Called things that go bump in the dark

things that go bump in the dark is the new full-length release by Cincinnati’s iswhat?!, a hip-hop band that has toured the US and Europe and performed with major jazz artists, among them Archie Shepp, Oliver Lake and Hamid Drake. It’s a fine record, and I’m happy to report that, along with being available as a CD or a download, this full-length release had come out on vinyl. Locally the CD and LP are available at Shake-It and Everybody’s; online you can buy it on cdbaby and iTunes.

If you’ve caught ishwat?!, chances are you’ve seen Napoleon Solo Vox fronting a trio. On things that go bump in the dark band members change and band sizes fluctuate with each song, and others artists share some of the vocal duties. My sense is that Napoleon is still the mastermind behind the music, but, like Kip Hanrahan, he constantly shuffles musicians in order to make the words and music come to life.

More than half the cuts feature Hamid Drake, who happens to be one of the best drummers in the world. He’s also one of the most versatile, and he’s as comfortable laying down a hip-hop groove as he is playing avant-garde jazz with Ken Vandermark or Peter Brotzmann.

Also noteworthy are the contributions from core ishwat?! member Jack Walker, whose saxophone and flute playing add color, texture and a jazzier vibe to the proceedings. His contributions sound all the sweeter against Napoleon’s consistently provocative wordplay.

This is music that gets inside you. At times it seems like a stream-of-consciousness collage that ties together seemingly random thoughts and melodies like the ones that go through your head during the day. Maybe they’re not so random at all; maybe they can tell you something.

If you gravitate toward colorful music, a nice groove and lyrics with depth, check out things that go bump in the dark. Along with making interesting music, Napoleon has helped bring some superb (and very unlikely) concerts to town; good to know the muses are being kind to him. Here’s some ishwat?! concert footage that quotes from  Led Zeppelin’s “Kashmir:”

http://www.youtube.com/watch?v=eBEaL57ppYE

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Brian Kelly Receives His Comeuppance

Not so long ago a Great American by the name of Bill Cunningham placed a curse upon Brian Kelly, once the coach of the UC Bearcats football team, and we all know why that curse was placed.

Many of us wondered when the curse was going to kick in. During his first season as the coach of Notre Dame Brian Kelly won a game or two, and then at times he won two games in a row! That doesn’t sound like a curse.

And then this season where Kelly won game after game after game. It was as if he had forgotten how to lose; it was as if he were invincible.

Or so, at least, he imagined—and so others imagined who overlooked the fact that he had a wimpy schedule.

Last night he did not have a wimpy schedule. He played Alabama, and he got whooped so bad that everyone watching knew that Bill Cunningham’s curse had finally come true.

Had Brian Kelly won that game—and there’s no way that he would have, but let’s play pretend—he would have marched across that field like a Roman emperor.

Instead he looked really tiny—Lilliputian, in fact.

While watching him, I remembered a scene from Orson Welles’ great film The Magnificent Ambersons. Although Welles doesn’t appear in that film, he does some great voice-overs, and his best one appears after the Ambersons’ world comes crashing down. Re-watching that scene on youtube last night, I thought of Brian Kelly as I heard Orson Welles voice these words: “And now it came at last; George Amberson Minafer had got his comeuppance. He got it three times filled and running over.”

I’m sure that anyone else who watches that scene will juxtapose Brian Kelly with George Amberson, and for that reason I urge you to check it out. In the end, it’s almost as if Welles had predicted Kelly’s rise and fall:

http://youtu.be/9DFpfNFvnfM

 

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Don’t Forget Renter’s Insurance!

 

Because this blog is connected with a rental company, I sometimes address issues renters face. Recently I decided to track down an old friend in order to ask her about something you might not think about when you rent, but you should. Renter’s insurance doesn’t cost a lot, and that’s especially true when you bundle it with other types of insurance, as people tend to do. Because Alea Bruggeman has been a good friend whose upbeat attitude lifts my spirits whenever I run into her, I recommend her unconditionally as an agent for renters insurance as well as other types of insurance. In order to contact her, call 513-985-9300 or email at abruggem@amfam.com. I also recommend checking her website, www.aleabruggeman.com, for more information. Her office is located at: 9737 Kenwood Rd, Blue Ash, OH 45242, and her office hours are 10am-6pm M-F and Sat 9-12 (with evenings and additional hours by appointment).

An agent with American Family Insurance in Blue Ash, Alea has been a Clifton resident for six years. Alea attended Xavier University and holds Property, Casualty, Life & Health licenses from the State of Ohio.  Alea is also a member of the Greater Cincinnati Relocation Council and in her spare time. She enjoys listening to many types of music, traveling, helping others in need, and doing volunteer work for various organizations in the area. The Alea Bruggeman Agency aspires to be a great community resource, providing exemplary customer service and professional advice to clients. Recently she responded to the following email questions:

So let me get this straight. When I rent in an apartment, my possessions aren’t automatically insured through my landlord?

Your landlord’s insurance doesn’t cover your belongings such as electronics, collectibles, video games, clothes, jewelry, etc so if you suffer a loss, the replacement cost could be quite high.

What are some items that you might not think about that should be insured when you’re renting?

I would imagine many people wouldn’t think of clothes, furniture, appliances, tools, home furnishings, jewelry and many more….People also don’t tend to think of the liability coverage that renter’s insurance provides.  If someone hurts themselves or conditions are unsafe, renter’s insurance liability coverage will help with those costs.

Is renter’s insurance prohibitively expensive?

Renter’s insurance is very inexpensive, especially for the coverage it provides.  It’s even more inexpensive when combined with an auto policy.   We have great multi line discounts for this. In fact, I’ve seen renters insurance as low as $7 a month when combined with auto insurance

Can you think of anything offbeat that people have ended up buying renter’s insurance for?

I can’t think of anything offbeat, but people like to insure their guitars and other musical instruments, as well as some expensive workout equipment.  Another thing that renter’s insurance provides, however, is the additional living expense.  In the event your rental is damaged and you are forced to move out temporarily, the insurance company will pay for any increase in living expenses so you can maintain your normal standard of living.

I know that renter’s insurance is only a small part of your agency. What else do you focus on?

We also focus on Auto, Homeowner’s, Life, Business and Health.  There are many options available for every person to assure their assets are protected.

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CCAC Celebrates By Making You an Artist

Spirits are high at the Clifton Cultural Arts Center after exceeding their 2012 campaign goal, and they want to celebrate by projecting your artwork on a three-story high building.

The celebration will take place over two nights. Artifact: Art Altogether kicks off this Sunday, January 6, from 6:30 – 8:30 pm with the Opening celebration. “Bundle up and bring a lawn chair,” the press release advises. “The hot cocoa is on us, and Waffo Truck and Fireside Pizza will be there selling tasty dinner.”

On both nights projections based on your drawings will be the center of attention. When I spoke to the CCAC’s Program Coordinator, Missy Miller, she told me that the idea for this creative and fun event came from local artist C. Jacqueline Wood.

“Jacqueline has created a template of the exterior of a wing of our building,” Missy explained, “ which will become a giant architectural canvas. Jacqueline will take your creation and use a special projector to beam it three stories high, so it will look like it’s been painted across the entire side of the building. We’re asking you to share a drawing, or a doodle, or a love story—anything your imagination can conjure on paper. Thanks to Jacqueline’s creative vision and the community’s incredible generosity, we’re able to turn our walls inside out and share the artistic expressions of everyone who makes CCAC possible.”
Personally, I’ve always loved images of rows of rows of windows on old buildings; in my mind they seem tailor made for silhouettes, and that will be my contribution to the genre. So how do you become a three-story artist? Start by downloading the template:

http://www.cliftonculturalarts.org/upcoming-exhibits.htm

You can print the pdf and work your magic or electronically doctor it via PhotoShop or whatever software works for you. Then, after coloring, drawing or writing to your heart’s content, send a copy either by email (artifact.ccac@gmail.com) or in person to the CCAC, which is located at 3711 Clifton Ave. Call them at 513.497.2860 if you have any questions—and then, along with viewing your own work, come see what other people came up with based on the same template! If you aren’t able to make the opening, you still have one last chance to see the projection on Monday, January 7 from 6:30 – 8:30 p.m.”

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Charlie Wilson and King Reeves at the Greenwich Tavern Sunday, December 30

At 8:00 p, Sunday, December 30, The Greenwich Tavern will host an evening of music featuring two acts that are some of the best jazz musicians in the city. The opening act, the very talented jazz  and lovely April Alosio, has been around long enough to have an album out on vinyl (I know, because I own it), and the artists she’s worked with include the phenomenally gifted guitarist Fareed Haque. April has a fine voice that sounds equally at home with both bossa nova and jazz standards, and I look forward to catching up with her.

The headliners for the evening are the duet of King Reeves on vibes and Charlie Wilson on piano. In my mind the two of them together are the best jazz group in the city. In fact, I like King and Charlie even better as a duet than when they form two-fifths of a quintet, as they sometimes do. In the more scaled-down setting their sense of time is more elastic than it could ever be in a larger group setting. Also, you can tell that they push each other. If Reeves is that much more groove-oriented, when the situation warrants Charlie whips out some Filthy McNasty himself—and just about the time you think Charlie Wilson has out-razzledazzled  all competitors by deconstructing and reconstructing a melody in every possible way, Reeves comes back with something even wilder. Really there’s no need for a rhythm section, as these guys are gonna swing no matter what.

Tickets are ten bucks for the show, and food will be provided. I’ve seen King and Charlie play before at the Greenwich, and one of the pleasures of their performances is the rapport they share with an audience that’s followed them for a long time. Today I called King Reeves and asked him a few questions, and among other things I discovered how he crossed paths with (I wasn’t ready for this) Conway Twitty.

What are you playing tomorrow night?

We’re going to play some standards, we’re gonna plays some Monk tunes, we’re gonna play some Wayne Shorter compositions, and we’re gonna play some Charlie Wilson originals.

Describe Charlie Wilson as a pianist.

Let me say this: I’ve been playing music for over 60 years. I’ve played with 15 to 20 pianists, and Charlie is the most accomplished pianist I’ve ever played with. He brings to the table the old and the new plus his own originality.

Why did you choose vibes as your instrument?

I started off on drums and I decided to have melody in my playing, so I switched over to vibes. At the time there was a guy named Conway Twitty, a country musician. He was messing around with them and he sold them pretty cheap.

Conway Twitty as in…the Conway Twitty.

That’s right.

Do you still have those same vibes?

I still have them. I have four or five, but those are my main set.

When did you buy then?

61 or 62.

You must really like those vibes…

I always go back to them because they got the quality to them.

What’s the brand?

Musser. It’s the same set that Lionel Hampton played.

What can you do in a duet setting that you can’t do in a larger group setting?

You can venture off go into different harmonies than if you have a bass player. It gives you a little freedom. It makes you start listening better too.

Finish this thought. Jazz is great when:

When it’s played by guys who don’t have alternatives motives. They’re not trying to be stars; it’s playd by heart. The thing about this music is, it’s become a commodity and it has no value for expression. We play for emotions.

Here’s some footage I shot of King and Charlie during a recent live performance. Yeah, the visual ain’t all that good, and I guess the sound could be better…but on the other hand you can still tell that both of these dudes are complete bad asses.

 

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A New James Brown Biography

I recently finished RJ Smith’s The One: The Life and Music of James Brown, and the impression I came away with was that by the time JB’s first single came out every day of his life was action packed.

In fact, I would guess that some days contained so many plots and sub-plots an entire novel could be written about one of them.

Probably there are thousands of stories to tell, and what impresses me about The One is Smith’s ability to tie together so many tales and still craft an entertaining and highly readable book. The One clocks in at just shy of 400 pages, but so much is packed into those pages that, considering how much information it contains, you would expect it to be twice that length.

Much of the book is focused on Cincinnati, where James Brown recorded countless singles and albums for King Records, hung out, met people, made friends and enemies, and worked with local musicians.

My favorite part of the book is where Smith recounts how Bootsy Collins added something to the band’s chemistry that helped take James Brown’s music to the next level. What happened seemed to be a combination of serendipity, raw talent and the kind of immersion in music that people experience when they’re aware that they have a chance to break something open.

Speaking of serendipity, I should mention that RJ Smith, whose extensive writing creds include gigs with Village Voice and Spin, is now moving to the city where James Brown recorded for King Records. A prior resident of Detroit and LA, Smith was recently hired as an editor for Cincinnati Magazine. As a music geek, I’m excited that he’s moving here, especially at a time when recognition of our rich musical history seems to be growing.

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Thomas Pynchon in Cincinnati?

 

I have some friends whose endeavors – be they artistic, commercial or a combination thereof – I’m about to publicize, but because readership tends to lag when eggnog get consumed and mistletoe talks I figured I would choose one of my own pieces to go under-read.

So here it is, folks, a slice of history, a blast from the past. In 1996 I read a couple short stories at a literary reading at York Street Cafe, back when Terri Ford presided over that superb series. At that point my goal in life was to write four-page short stories as opposed to the more open-ended and expansive fiction to which I am naturally drawn. I never quite achieved that goal, but I did whittle my stories down to reasonable lengths. After my York Street reading someone called me from City Beat to ask if she could run my Thomas Pynchon piece in City Beat in place of the literary news that she normally covered, and I said yes. Read More »

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Want to Learn an Instrument? Try The Music Salon

PLEASE NOTE:

Sean McGary, owner of the Music Salon, recently announced that The Music Salon recently moved to Silverton, next door to the DrumCenter of Cincinnati.  I’ll have more details soon, but in the interim I recommend calling the same number as before – 859.444.6231 – to look into music lessons.

The Music Salon / 859.444.6231

Do you want to learn how to play an instrument? If so, you should know about a new music studio that opened recently in Dayton, Kentucky, a mile down the road from Newport on the Levee.

The Music Salon teaches both beginners as well as musicians who know a few things but are eager to advance to the next level. One-on-one private lessons are offered for guitar, bass, piano, vocals, drums, and most brass and reed instruments.

Along with boasting a long track record of performing and recording in a wide variety of musical settings, the owner of The Music Salon also has great pedigree, as you might guess from his last name. Sean McGary is the son of Jimmy McGary, a tenor saxophonist who was one of Cincinnati’s best jazz musicians ever.

Understandably, Sean got the musician bug at an early age, and he’s been involved in a wide variety of noteworthy projects, including a lengthy stay with Freekbass. As a member of Freekbass, he recorded with Bootsy Collins, Catfish Collins, Bernie Worrell, and Buckethead. Read More »

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A Nice Rendition of a Classic Christmas Carol

This blog entry is quite simple: it consists of one song that I would like you to hear. It is performed by a friend of mine, Jeff King. He’s playing, on mandolin, an old Christmas carol, “Go Rest Ye, Merry Gentlemen.”

Before he moved off to rural pastures Jeff was quite active musically in Cincinnati. During its glory days he played Friday afternoons at Sudsy Malone’s, and he also was also a frequent performer at Murphy’s— and, well, probably twenty other places. Among the artists he opened for at Bogart’s were Leo Kottke, America and John Prine.

Because of Jeff’s amazing technical ability on instruments plus his vast knowledge of musical theory, fellow musicians had a great deal of respect for him and were eager to learn from him. One example: Rob Hamrick, who at that time sang for Sleep Theater and is now with Tone Farmer, took lessons from Jeff, and if you’ve heard Tone Farmer—a band with a rich harmonic palette and sophisticated songcraft—you can see why Rob might have sought out Jeff as a teacher.

So who did Jeff King study under? More than any other musician, Michael Hedges had a deep and lasting influence on Jeff. Every time Hedges would play Bogart’s a wide-eyed Jeff King would, the next week, play me tapes he surreptitiously recorded at the show. Hedges had a penchant for bizarre tunings on acoustic guitar, and Jeff King had a penchant for hitting rewind and play over and over again on his bootleg cassette tapes until he figured out what the hell Hedges was doing. After Jeff began incorporating Hedges songs into his setlists, he led many folks from around the area to discover the extremely innovative guitarist.

Michael Hedges and Jeff King ending up becoming friends. One weekend Jeff and some buddies hung out with Hedges, and interestingly, there was no shop talk—no questions about what strings he used or any of that business. Surely that indicates that Hedges like Jeff’s company—a break from the business.

Every year Jeff King sends a video of his version of a Christmas carol for his buddies, and they’re always excellent, but this one stood out for me. Is there a whiff (or more than a whiff) of Michael Hedges in this video even though the performance is on mandolin rather than guitar? Definitely. And there’s also a solid arrangement that really brings out the mysterious melody that makes this Christmas carol so memorable.

 

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Ed Kluska’s New Book

Remember New World Bookshop? A small, privately-owned bookstore in the heart of the Gaslight District, that was an integral part of the neighborhood for thirty-three years? New World was owned by Ed Kluska, who along with running a bookstore offered astrological readings, taught meditation, and helped develop the local New Age community.

The bookstore is no longer, but everything else Ed Kluska did before  it closed he continues to do from his home in Clifton – and that includes writing. This week Ed published a book entitled Mayan Calendar Ends, Fiscal Cliff Begins: There’s Hope for 2013.

I don’t want to give too much away, but Ed does not think the world is going to end on December 21. Okay, I’ll say just a little bit more: he does, however, see evidence that something significant is happening, and we should know about it.

If you’re interested in Ed’s new book, you can call him at 513.861.6100 to arrange a payment, or you can simply mail him $18 ($15 plus $3 postage). The mailing address: Ed Kluska / 545 Ludlow Ave. / Cincinnati, OH / 45220.

I should also mention that, along with publishing a website, Ed writes a newsletter that you can subscribe to. To do so, visit his website at edkluska.com.

And now to editorialize, briefly: this is an exciting event. New World Bookshop helped make the Gaslight District such a unique and desirable neighborhood. New World’s spirit lives on in the work Ed has done since then and in his new book. I’m sure that many people reading this blog entry will have fond memories of that store, and you should be aware that Ed is available for consultations on relationships, children, business, etc. (check his website for more information).

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At the Esquire, Care Package Collection for Our Troops This Sunday

 

This Sunday promises to be a big day at the Esquire Theatre. As part of Cincinnati’s newest holiday tradition, the Second Annual Interactive White Christmas event will be taking place. Both screenings of the classic movie White Christmas starring Bing Crosby and Rosemary Clooney have already sold out, but you can still celebrate the spirit of Christmas by showing some love for military personnel currently assigned overseas.

To go along with their White Christmas theme, the Esquire Theatre is working with the Yellow Ribbon Support Center to collect items and send care packages to our troops. If you’d like to help, you’re welcome to bring cards, letters and much-appreciated items for Active Duty Military Personnel this Sunday, December 16, from 12:30 pm to 9 pm.

The items to donate include: Read More »

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Live Footage of the Heartless Bastards at the Northside Tavern

 

 

 

Three years ago the Heartless Bastards returned to Cincinnati to play a packed house at the Northside Tavern. Somehow I managed to wedge myself into the middle of the crowd, drink beer, and shoot some footage.

It was at the third task that I was perhaps least accomplished, as people were bumping into me every second or two, but I filmed some of the show and then created a youtube page devoted to that performance.

Although my camera work that evening was less than perfect, I had the good fortune of filming an exciting live band – so it feels good to finally post the footage I took that evening of the Heartless Bastards in their second incarnation, before the second guitarist was added. Here’s the Heartless Bastards performing “Done Got Old.”

You might also want to check out some of my other videos on that same youtube page, cincinnatishines, which is all footage I shot. It includes a couple other songs from the Heartless Bastards show, plus other locally-shot footage of performances by Radiohead, William Hooker with Ed Ricart, Jane Bunnett with Candido, Zamuto, Sao Paulo Underground, Carmon DeLeone, uKanDanZm, A Juliet Bender, Donald Fagen, and Santigold.

*** A quick note to subscribe to this website if you’d like to hear about things going on in Cincinnati, and especially in the core of the city (Clifton, Over the Rhine, Northside, downtown, etc.). You can do so on the right side of this webpage. Also, feel free to call me at 513.281.3266 or email me at disdat@hotmail.com to tell me about events that you would like publicized; I do it all the time.

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Pictures of the Holidays on Ludlow

I strolled up to Ludlow Avenue last night and snapped some photos of Holidays on Ludlow, and this morning I got up and went into the dark room to look at all the negatives and decide which pictures I should develop and, more importantly, which was the best picture of all.

Sometimes that’s a tough decision because nothing really stands out, but this time we have a clear winner. Read More »

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Five Reasons to Check Out Holidays on Ludlow This Friday

A celebration of Christmas in the heart of the Gaslight District, Holidays on Ludlow returns to Ludlow Ave this Friday, December 7 from 6-9 p.m.  There will be free parking in the Merchant Lot on Howell Ave. after 5 pm. Here are (drum roll, please) the top five reasons to check out Holidays on Ludlow:

  • It’s a great way to get in the Christmas spirit. There will be free carriage rides with luminaria along the route, caroling courtesy of the Clifton-Fairview German Language Choir, and free pictures with Santa Claus.
  • This is an event for both children and adults. “We’ll have bobbing for apples, tea parties, and Kiddie Cocoas for the little ones,” Sitwells wrote on their Facebook page. “No worries, parents, we’ve got our delicious Spiked Mulled Cider for you!”
  • It’s a chance to do some shopping. On the off-chance that you haven’t finished all your Christmas shopping, this is an opportunity to support lots of local business within walking distance of each other.
  • Arts and crafts. Holidays on Ludlow will include holiday hat making at Aquarius Star plus a snowflake making contest.
  • It’s a chance to help the needy. Gaslight Property will once again be hosting a canned food drive on the Plaza during the event. Please bring your cans and other non-perishables and be generous with our less fortunate neighbors during the holidays.
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The Northside Record Fair: A Huge Success

It was great seeing how many people came out for the first-ever Northside Record Fair this morning. There were almost fifty tables of people selling vinyl, and there came a point when every crate in the place had someone pawing through it, and it stayed that way a long time. I have to think it was more fun for everyone because it was so dang overdue.

Chuck Cleaver from Wussy was selling records and memorabilia, and I bought publicity photos of Tom Waits and Elvis Costello from him. I also had a chance to talk to the owner of Phratry Records, Jerry Dirr, about some of his projects. It turns out he’s been extremely happy with Gotta Groove Records, the record pressing plant in Cleveland. He also spoke quite highly about the new Phratry release by Food, a band that includes Ed “fROMOHIO” Crawford, who was once a member of the fIREHOSE, a band that was once on the  SST label. The new EP is Four Pieces from Candyland, and it’s available here: Read More »

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Donate CDs and Help a Cat!

Anticipation is high for the 1st annual Northside Record Fair on Saturday, December 1. Taking place from 11 am to 6 pm at 4120 Hamilton Avenue, the fair will include live music, DJs and countless records along with every other kind of musical media.

The event also offers an opportunity to do some much-needed purging AND donate to a worthy cause. Rosie’s CDs will be holding a CD drive at the Northside Record Fair–and because Rosie will set up in front of the entrance to the fair, you can donate CDs even if you’re not attending the show. Already downloaded all your music and wondering what to do with your old CDs? Now you can clear out those shelves of CDs and help local animals at the same time. Any and all CDs are accepted.

Proceeds will be donated to OAR, the Ohio Alleycat Resource & Spay/Neuter Clinic. OAR is a non-profit 501(c)(3) organization which provides low-cost, high-quality spay/neuter services for feral cats, strays and pets; offers TNR (trap-neuter-return) and other outreach programs; and runs a small, no-kill adoption center dedicated to finding loving homes.

Can’t make the Record Fair?  OAR will also be accepting used CDs/DVDs at their  Holiday Open House  December 2 from 1:00 to 4:00 p.m. at their Madisonville location (5619 Orlando Place).

Questions about how to donate your CDs? Rosie’s CDs can be reached at rosiescds@gmail.com.

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Gotta Groove Records

My theme this week is records, which are coming back with a vengeance, as the 1st Annual Northside Record Fair indicates.  In 2007 sales of new LPs dipped to below a million, but by 2009 sales jumped to 2.5 million, and the number climbed to 3.9 million in 2011—and that’s just for LPs that have bar codes, which is probably less than half of the total records released. (And I’ve yet to hear a count for 7-inches; I don’t think anyone has figured out how to count them yet.) Read More »

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First Annual Northside Record Fair

 

Cincinnati has long had a reputation for notoriously bad record shows—yet Columbus, which is only an hour and half away, has long had a good national reputation.

So I was pleased to see, on Facebook, people chatting about the 1st annual Northside Record Fair starting at 11 am on Sunday, December 1 at Hoffner Masonic Lodge at 4120 Hamilton Ave. Because I know some of the people who have signed up for tables, I can guarantee that this record show will be a mind-blowing breath of fresh air.

If you’re interested in selling records, be aware that the record fair only has about 15 tables left for sellers. It costs $20 to reserve a table; half tables are $10. If, like me, you’re going there as a buyer, you’ll pay a $5 entry, although the $10 Early Bird Special will get you in an hour earlier. Also, the event will include live music and DJs. You can find more information if you visit the website for the event. (Also, for more information on the event, contact Jon at domepresents@gmail.com.)

The rest of this week will be devoted to the record fair as well as records in general, with a brief detour into the world of CDs. I’ll close with a reminder to folks that you can subscribe to my blog on the right side of this webpage, and I encourage you to do so in order to keep up with things going on around Cincinnati.

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Ready to Take a Vacation? Give Suzanne Sanchez a Call

Call me old-fashioned, but when I make travel plans my first choice would be meeting with a travel agent in person.

That may sound pie-in-the-sky in this era when so much is done digitally, but as it turns out there’s a travel office located in the heart of the gaslight district, on Ormond Avenue between the library and the post office. That location has served experienced travel agent Suzanne Sanchez well, and even though I suspect the majority of her work is done over the phone (you can call her at 513.731.3369) or via email (Suzanne@BrownsToursandTravel.com), because of her centralized location she meets lots of customers face to face.

And as soon as they visit the Brown’s Tours and Travel office at 3410 Ormond Ave. they can tell that she loves her work. Read More »

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Jane Bunnett, Hilario Duran and Candido Enter the Sanctuary

The Concert

Flautist and soprano saxophonist Jane Bunnett had a smile on her face through much of Thursday night’s performance at Thompson House, and for good reasons.

Being accompanied by superb musicians has to feel good, and on both sides of her were masters: Hilario Duran on piano, and the legendary Candido on congas. Plus it was clear though her playing and her between-song comments that she loved playing Afro-Cuban jazz. Read More »

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Five Reasons to See Redlegs at the Esquire Theatre This Weekend

This weekend the Esquire Theatre will host  the Cincinnati premier of Redlegs, a locally-shot film by a Cincinnati native, Brandon Harris. Showtimes are 1:15, 3:00, 5:00, 7:10, 9:10, and tickets can be purchased either online or at the door. It’s running for at least a week,  but here are 5 reasons to see it this weekend:

  • You can meet the director. According to a Facebook post by the director Brandon Harris, “I’ll be on hand for Q&As after Friday and Saturday’s 7:10 shows and Sunday’s 3:00. Hope to see you all there!”
  • Redlegs has lots of locally-shot scenes with iconic settings. Per a City Beat blurb, the film includes “vanilla shakes from UDF; the Ohio River; an argument in Northside Tavern’s restroom; fisticuffs with a West Side redneck; a trip to Great American Ball Park; the WEBN fireworks.” Read More »
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Art House Jamboree: A Perfect Evening

The Art House Jamboree celebrating the 101st anniversary of The Esquire Theatre was a perfect evening. Although the underlying focus was serious–the role community plays in people’s lives– people laughed through the whole event. Read More »

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Candido at The Thompson House on Thursday: Whodathunkit?

Walter Broadnax, impresario of Doc B Productions, has long done a stellar job of hosting both local musicians and noteworthy national acts, but even by Doc B’s usual standards the concert at The Thompson House this Thursday, November 15 is exceptional. A legend in his own right, Cuban-born percussionist Candido has performed with such jazz icons as Charlie Parker, Dizzy Gillespie and Sonny Rollins. Candido is now 91 years old, and one of the questions I’ll ask him Thursday night is, have you ever played in Cincinnati (well, greater Cincinnati) before? I dare say that if he has, it’s been a very long time, and if you ever want to see him, I do not advise staying home and watching Seinfeld reruns on this particular evening. The show will be from 8 pm to 11 pm, and tickets are $25. Here’s a link to Doc B’s webpage for the event.

Sometimes I struggle to find a song that, by itself, makes it clear that someone is an amazing talent, but with Candido that was not a problem. Three musicians perform on this youtube clip: Sonny Rollins on tenor saxophone; bassist Bob Cranshaw, who has been Sonny’s right-hand man for decades; and Candido. The whole song is great, and toward the end Sonny and Candido engage in a musical face-off that prompts me to ask the following question: is this not the hippest music you’ve ever heard?

https://www.youtube.com/watch?v=Pa3z5SBY1qU

The talent pool for the evening does not end with Candido, by the way; in fact, he’s the special guest for an ensemble that’s co-led Jane Bunnett, a highly respected soprano saxophonist. As Kenny G has oft proven, listening to soprano sax can be a saccharine experience, but Bunnett has a much edgier style when she wants to (and can play quite lyrically as well). Again I wonder if she has ever stepped foot in (greater) Cincinnati before. This is a rare experience to see some heavyweights carrying on the Afro-Cuban jazz tradition that Candido helped forged many decades before. God bless Doc B for bringing music of this quality to town.

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Becoming Morris

Kevin Zepf, aka Morris

I remember vividly the nights spent at a table with two other men as we attempted to transform a short story I had written into a screenplay. Although it was evening, we drank coffee the way some people drink whiskey—liberally, and in a most macho manner. Truly this was not a situation where you wanted to say, as the next cup was being poured, “No thanks, I’m starting to feel a bit jittery.” Read More »

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Amernet String Quartet at Hebrew Union College This Sunday, Nov. 11

Cincinnati is ridiculously spoiled when it comes to classical music, and that’s even more true if you happen to live in Clifton. Within walking distance is both the College Conservatory of Music (which would be sweet enough by itself) and also Hebrew Union College, home to lots of chamber music performances as of late. This Sunday, November 11 at 4 pm the Amernet String Quartet will perform music of the Jewish Diaspora for string quartet, featuring compositions by Jewish composers Pavel Haas, Aleksandr Zhitomirskii, Jacob Weinberg, Viktor Kohn, David Grunfeld and Dmitri Skosta. The concert is free and open to the public, and at the Scheuer Chapel on the Cincinnati campus, 3101 Clifton Avenue in Clifton.  One assumes the performance will draw audience members eager to leave behind all the noise of the last couple weeks and simply focus on music. Ensemble-in-Residence at Florida International University since 2004, the Amernet String Quartet was formed in 1991 while its founding members were attending Juilliard. Here the quartet performs a movement from a string quartet by one of the masters of the medium, the man who never knew for sure if or when Stalin’s henchmen might knock upon his door, Dimitri Shostakovich:

https://www.youtube.com/watch?v=UzNIhIQY_H8

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Esquire Theatre’s Art House Jamboree: A Chance to Show Some Love

 

What were you doing in 1911? Not much, you say? Yeah, me too. But I know something about what other people were doing, and that happened to be the year the Esquire Theatre on Ludlow Avenue in Clifton opened its doors. To celebrate the fact that The Esquire not only survived 101 years but expanded, the folks at the Esquire are hosting The Art House Jamboree Saturday, November 10 at 8 pm. The evening will feature none other than Jerry Springer, who’ll show some love by hosting what has been billed as a “whimsical evening of time travel, stories & celebration.” Proceeds from the event will benefit the Clifton Cultural Arts Center.

Other highlights of the evening include: Read More »

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Northside Farmers Market Has Moved Indoors

Voted the best year-round farmers market by City Beat, the Northside Farmers Market has moved indoors to the North Presbyterian Church Auditorium at 4222 Hamilton Avenue in Northside. NFM is open every Wednesday from 4-7 pm, and they’re taking advantage of the fact that this particular Wednesday is Halloween. Both kids and parents should drop by, as the CAIN booth will be handing out teddy bears to costumed children while parents can buy candy before the crowds hit. Read More »
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Wolverton Brothers at MOTRPub Friday, October 26

The Wolverton Brothers are playing at MOTRPub in Over-the-Rhine this Friday, October 26. You seldom get a chance to see the Wolvertons these days—one or two gigs a year, I’m thinking—but their live performances are still as absorbing as when they were regulars at the now-deceased Sudsy Malone’s or The Metro. In fact, their music has only grown more interesting with time. At first their sound combined garage rock with an unorthodox country twang, and even as early as their first album there’s clear evidence of a band that knew how to write memorable songs with lyrics that could be both witty and provocative. Eventually their records included some spacey instrumentals that mixed sampling with their huge guitar sound, a step that made perfect sense to those fans who had witnessed the wide-open improvs during the middle of “Big West” from their eponymous first album. Read More »

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University of Cincinnati Ranked Top College Destination

Recently the American Institute for Economic Research (AIER) compiled a list of data in order to determine the top college destinations in the US. The criteria involved academic environment, quality of life, and professional opportunity. The University of Cincinnati ranked 17th on the College Destination Index, which is impressive, and  here are a couple quick reasons UC will rank even higher the next time they compare universities: Read More »

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Last Night at the Loft Society

 

Last night at the Loft Society serious music happened, courtesy of William Hooker (drums) and Ed Ricart (guitar). After the second set ended someone said to Hooker en route to another room, “Play one more?”

“Are you kidding?” he laughed and said. “Do you want me to have a heart attack?”

Those words will make sense to you if you watch the video I shot last night of a few minutes of the improvisation between two musicians who were far apart in age but close together in purpose. William Hooker is an extremely physical player who digs deep tones out of the drums. At one point the proprietor of the Loft tried to hand a towel to the percussionist in true James Brown fashion but was refused at first, for the song was not yet over.

Here’s the link:

 

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Hogscraper on Halloween!

I feel sorry for every other band on the planet, because Hogscraper has decided to perform a Halloween show, and let’s face it, when it comes to the full-scale Halloween vibe no one can compete with these guys. Banjo, drums and washtub bass sound like the recipe for some good old-fashioned Americana, but this is the stuff of nightmares. The performance will take place Saturday, October 27 at the Southgate House Revival at 111 E. 6th Street in Newport, Kentucky.  It’s good to see the Southgate House Revival up and running, and I’m glad to see that one of their first shows is going to be this reunion show by this trio, who play their own brand of satanic bluegrass. I used to catch Hogscraper while I was doing laundry at Sudsy Malone’s, and while I heard some loud music in that particular venue, this was scary loud even back among the washers and dryers. So bring ear plugs and a costume, and feel the dark forces raining down on you. Here’s some footage of Hogscraper performing at what was once a much-loved Laundromat on short Vine:

https://www.youtube.com/watch?v=-FfwwPNJGyU

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Vertigo on the Big Screen This Friday, October 19

It has reached the point where we can see almost any movie we want in the comfort of our own home. At the same time, because we have the history of cinema at our fingertips opportunities to watch classic films on the big screen are increasingly rare—and you’d be hard-pressed to find a film more worthy of such a viewing than Alfred Hitchcock’s 1958 masterpiece, Vertigo, which will be showing at the Esquire Theatre this Friday, October 19, at 10:30 p.m. Among the reasons Vertigo belongs on the big screen:

  • Because fate has it in for him the character James Stewart plays, John “Scottie” Ferguson, who suffers from vertigo, ends up facing not one but two situations where his fear of heights gets tested. The use of the dolly zoom in order to convey the disorientation Scottie experiences needs to be seen on the full screen to be fully appreciated.
  • Bernard Herrmann’s soundtrack to the film is legendary, and it will sound great on the Esquire’s sound system.
  • The opening sequence, featuring Herrmmann’s score, the most memorable eyeball shot since Un Chien Andalou, and colorful graphics is more intense on the big screen.
  • Vertigo is a classic film in a classic theatre that’s been around 100 years, showing many Hitchcock movies during their first go-round.
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Ladies and Gentlemen, Meet the Loft Society

 

When I started this blog eight months, along with writing about big events I hoped to shed some light on some of the well-kept secrets in Cincinnati, and today’s blog entry is an opportunity to do just that. This Saturday, October 20 at 8:00 pm the drummer William Hooker will perform duets with Ed Ricart on guitar at the Loft Society at 119 Calhoun Street in Corryville. Expect music that’s avant-garde and edgy. And while the music the duet performs may be labeled jazz, I have a hunch that this would be of interest to people who like experimental music—be it rock, classical or completely unclassifiable—period.

Although the performance space called the Loft Society been around for over 20 years, many people don’t know about it, including jazz lovers who, when you tell them about a past performance, their reaction is, “You’re kidding! I missed that?” As performance spaces go, it couldn’t be more informal: the shows take place in a large and very colorful room in an apartment, but that room is steeped in history. Barry Altschul, Billy Band, John Hicks, Gebhard Uhlmann, Gary Bartz, Nicole Mitchell, William Parker and Hamid Drake are just a few of the names that have appeared there. These are internationally-known artists from around the world who, the week before, may have played to crowds of thousands in Europe (or Chicago or New York), and then suddenly find themselves in a space where folks may have squeezed more than fifty audience members into that room—but believe me, it was tight. Yet repeatedly when you talk to the musicians who inevitably end up mingling with the crowd,  you find out they love it, in part because it carries with it a strong sense of nostalgia.

“I was one of those kids in the 1970s who grew up on the New York loft scene,” trombonist Steve Swell told me. “When I was first aware of Cincinnati’s own version of that legendary scene, I was a bit apprehensive, but glad there was someone presenting our kind of music.”

“That’s probably my favorite place to play anywhere,” trumpeter Rob Mazurek said. Rob is one of many musicians from Chicago who have played the Loft Society, including many who have recorded for the Delmark label and are members of AACM.

Basically, then, the Loft Society provides great music in an intimate setting, with an atmosphere which, regardless of whether you’ve caught music at a New York City loft, will make it easy to imagine. “I can’t believe I’m in Cincinnati,” is a comment you hear a lot as people experience a concert at the Loft Society. A donation is requested at the door in order to help fund the event, which includes great home-cooked food between sets. Call 513.559.9220 with questions.

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A Conversation with Bill Frisell, Part 2

In my previous blog entry I discussed some matters leading up to my conversation with Bill Frisell, but there’s a little more to it. At I began walking toward the front of the stage one of the Emery Theatre ushers asked if she could help me, at which point I said if possible I would like to talk to Bill Frisell for a second. At that point Frisell was on the stage, and the crowd mingling about near the foot of the stage led me to believe that in the next couple minutes he’d be chatting with us. The usher ended up walking up to the stage and telling Frisell my request, and shortly thereafter he walked down to where everyone was standing.

Although it was nice of the usher to do that, there was ultimately more protocol involved than I had originally envisioned, especially because I was going to just casually say hi. After the guitarist  signed my program, we chatted briefly about the Naked City show where I first saw him perform. After that there was only one other thing I could think of: I asked about a song that had less of an Americana feel than most of the others, and beyond that the way I described it was like this:  ”It sounded like it was going to become Music To Watch Girls By, but it didn’t. Do you have any idea what that was?”

“I don’t know that song,” was his reply – and seconds later he was chatting with the next fan.

Here’s why I said that everything went swimmingly that evening except that conversation with Bill Frisell. Anyone else would have referenced  Takemitsu or Shostakovich or Carla Bley or some other heavyweight in the music world. Me, I mentioned an EZ-listening song from the 1960s that although it was played a million times in airports and doctor’s and dentist’s offices was so inconsequential that it failed to lodge itself in Bill Frisell’s long-term memory (or anyone else’s that I talked to that evening). The strange thing, I actually like the song. When he mentioned it to a friend the next day, he said he’d like to hear Frisell play it, because it’s as staccato as a song can be while Frisell is the most legato player out there – so what the heck would happen if he took it on? There are both instrumental and vocal versions of “Music to Watch Girls By,” and I decided to post here what may be the most famous one, by the late Andy Williams:

http://www.youtube.com/watch?v=-5-GD8YeObE

Also, a couple quick reminders of events this weekend:

  • Mothers of Invention – The Music of Frank Zappa.  Sunday, October 14 at 7 PM at the Patricia Corbett Theater at College- Conservatory of Music the Jazz Lab Band will devote the entire evening to the music of Frank Zappa. Tickets t are $12 for general admission, $6 for non-UC students and FREE for UC students with valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.
  • The 6th Annual Annunciation Oktoberfest begins at 7:00 pm and will continue through Sunday. Don’t miss the Soul Pocket Band tonight; they take the stage at 8 pm and play until midnight. Here’s a link to the webpage for the event: http://www.annunciationbvmparish.org/Oktoberfest2010Main.html
  • Don’t forget to vote for Gaslight Property as the best rental company in  the News Record. To vote, visit The News Record’s website –newsrecord.org – and then scroll down to the bottom, where near the bottom of the page you’ll find, on the left side, an Online Poll for the Best Rental Company.
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A Conversation with Bill Frisell

Last night was one of those kismet nights where things fall into place at the last minute. Everything went right, except for that point in the evening that mattered most, which was a brief conversation I had with one of the best guitarists in the world.

Oh well.

I was downtown on business yesterday afternoon/early evening, and after that ended I was simultaneously overdressed and underdressed, which is to say I was wearing spiffy clothes but not enough clothes because, well, it was cold. That really wouldn’t have mattered if I had driven home right away, which was the original plan, but as I headed to my car I remembered that Bill Frisell was performing at the Emery Theatre as part of The Requiem Project. If I can get in for half-price, I told myself, then I was meant to see this show, and if not I’ll go home. When I told the ticket sellers that I saw the note on soapboxmedia.com about reduced-price tickets, they said sure, no problem, and suddenly I was going to the show. While standing out front with Ron Esposito, whose third singing bowls release, We Are One, came out recently, he said this to me:

“We’re going to talk to him after the show, right?”

“Do you think we can?”

“Sure we can.”

That planted a seed that played into future events.

I had seen Frisell a few times in the past. The first time was with John Zorn’s Naked City during the Torture Garden tour, an event at which (this came as no surprise to Zorn) about a third of the audience walked out during the first half hour. You know that’s a great concert, but even though no one walked out of The Emery last night, it too was a great concert. Blending an electric guitar with acoustic string instruments is not, I assume, an easy thing, but the interplay between the musicians during a concert that primarily focused on the Disfarmer Project was remarkable, and I loved how Frisell was able to weave Americana into his jazz-based style. During the encore he ended with some wild rhythm guitar work that reminded me of the sped-up guitar tracks on some old Les Paul albums, except that involved studio trickery and Frisell was doing it live. I have to think that was a tip of the hat from guitar master to another, and I should have asked him about that, but I didn’t, because, well, I forgot.

After the show many of the Who’s Whos of Cincinnati were milling about near the stage—the photographer Michael Wilson, for example, whose work has appeared on album covers (among  many others) by Bill Frisell, and who also has an edition of special fine art portraits devoted to Frisell; and Linford Etweiler and Karin Bergquist from the group Over the Rhine; and (again) Ron Esposito, who told me that if I wanted to talk to Bill Frisell all I had to do was walk up to the stage. Which I did—but let me rush through the rest of the night first.

As often happens when last-minute improvisation plays into your day, I hadn’t eaten since morning, and hunger had taken hold of me. After talking to Bill Frisell I chatted with Julie Fay and William Messer in the Emery lobby. (For starters, Julie is the proprietor of Urban Eden and Iris Book Cafe and Gallery; to quote a insightful source, “Julie Fay has been investing time, money, labor and love into Over-the Rhine since 1991;” along with many other artistic endeavors, Bill curates photography shows at Iris Book Café and Gallery.) It turned out that Julie had an extra ticket to the Disfarmer- connected post-concert soiree at Japp’s, where I ate the best food I have ever had while people watching. Julie made great company at this event, because she shares my knack for forgetting people’s names, which meant both of us could practice the fine art of allowing people you know to introduce themselves to the person you’re sitting next to. While we were sitting there someone from ispycinci.com came by and took our picture, which was indeed a rare event; you could chop off several fingers and still be able to count all the events Jeff Wilson has attended where people drop by just to take pictures and post them on a cool website take place.

But the night was not yet over, a friend and I walked to MOTRPub, which was packed, yet somehow we found seats at the bar and were able to order drinks right as Zammuto, a spinoff of The Books, began their set. I thought they were great, and I probably would have stayed for the whole set except (A) I was parked probably ten blocks away on a cold night, (B) my friend offered to drive me there.

This blog has already broken all previous word-count records, so I’ll have to come back to my conversation with Bill Frisell, who was extremely nice; I hope to chat with him again someday.

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Frank Zappa, Meet CCM

Sunday, October 14 at 7 PM at the Patricia Corbett Theater at College- Conservatory of Music the Jazz Lab Band will devote the entire evening to the music of Frank Zappa. For part of the show, Apostrophe – possibly Zappa’s most famous album – will be played in its entirely by an octet, with arrangements by Dominic Marino. Other selections will include “Peaches en Regalia,” “Night School,” “King Kong” and more. Because Zappa used radically different instrumentation than CCM will employ for most of this material, it will be intriguing to hear how this music translates – and what fun it must be to re-arrange and perform such a bizarre batch of tunes. Tickets to “Mothers of Invention – The Music of Frank Zappa” are $12 for general admission, $6 for non-UC students and FREE for UC students with valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

It’s worth pointing out that Frank Zappa had some history and connections not only in Cincinnati but at UC, where this concert will take place. He played the University of Cincinnati repeatedly, and one of his first drummers, Art Tripp, was actually a CCM student who ended up working with avant-garde composer John Cage when he became composer composer in residence at CCM. Here’s some footage of Zappa & the Mothers of Invention w/Art Tripp on drums playing music like it’s meant to be played:

http://www.youtube.com/watch?v=49lGUNN0DNs

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Vote for Gaslight Property!

It’s time to vote, folks – not for that other race people have been talking about, but something much closer to home. The News Record (the University of Cincinnati’s newspaper) is asking people to vote for the best apartment rental company in the UC area, and clearly Gaslight Property deserves to win. To vote, visit The News Record’s website – newsrecord.org – and then scroll down to the bottom, where near the bottom of the page you’ll find, on the left side, an Online Poll for the Best Rental Company. The reasons Gaslight Property is the best rental company include the following:

  • Classic Spaces: Like most cities, Cincinnati has its share of prefab apartment complexes, but Gaslight Property rents apartments with history and character.
  • Experience: Gaslight Property is a family-owned business that’s been part of Clifton for decades.
  • Accessibility: While some landlords seem in absentia, Gaslight Property’s  office is in the heart of Clifton’s Gaslight District, within walking distance (or a very short drive) for many of their tenants.
  • Location: Most of Gaslight Property’s rentals are located in or near “The Uptown Area,” known for world-class education and healthcare. Within minutes you’ll find University of Cincinnati, Xavier University, Cincinnati State, Hebrew Union College, University Hospital, Cincinnati Children’s Hospital and Good Samaritan Hospital. You’ll find many of of Gaslight Property’s places are pet-friendly, within walking distance of unique shops, locally-owned cafes, an independent theater, and scenic parks. Most also have close access to public transportation.
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Annunciation Oktoberfest: Fun For Both Kids and Adults!

The 6th Annual Annunciation Oktoberfest begins Friday, October 12 at 7:00 p.m. and will continue through the weekend. The Annunciation Oktoberfest,  of which Gaslight Property is a co-sponsor, has been a hit from the beginning, and although the focus is on having fun, it’s also helped Annunciation School stay in the black financially, which is no small feat these days for a small private school. That’s good to hear, as Annunciation has been a part of Clifton for 100 years. It also has an unusually diverse student body, with 18 different nationalities represented. When I spoke to Alice Derrick, co-chair of this important Clifton event since the first year, I asked her why Annunciation Oktoberfest is so popular.

“It’s a chance to bring the community together,” she said, “all the different churches, and welcoming the community to Annunciation, which was at one time considered a hidden secret.”

“It brings back the alumni,” she added, “and the people who have graduated bring their children—it’s like a reunion.”

When I asked what was new this year, Alice mentioned a petting zoo and pony buggy rides, which are among the many fun activities for kids. She also informed me that children do more than just attend the festival. “We give our students the opportunity to have their own booth,” she said. “Each classroom has its own booth; it’s exciting for them to participate in something that makes money for the school.”

“We also invite other schools to participate,” she added. “Xavier brought its marching band one year.”

Alice also pointed out the music that will be part of the festival all three days. The Soul Pocket Band plays 8 to midnight Friday, October 12; The Rusty Griswolds are on from 7 pm to 11 pm Saturday; and Retro Vibes will perform 1:30 pm to 5:30 pm Sunday.

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Constella Trio at Hebrew Union College Sunday, October 7

Cincinnati has long had a classical music scene that’s disproportionate to its size, and the recent addition of the Constella Festival only adds more depth and variety to what is already an embarrassment of riches. At 2 pm Sunday, October 7 the Constella Trio will perform works by the American composers Philip Lasser, Samuel Barber and Aaron Copeland. The trio of Tatiana Berman, Yael Senamaud and Ilya Finkelshteyn will feature Julie Spangler on piano, and the performance will take place at the Scheurer Chapel at Hebrew Union College.  The concert is free, and the opportunity to hear Twentieth Century chamber music on a Sunday afternoon sounds sweet. It’s also an opportunity to find out more about the Constella Festival, whose website can fill you in on some of their other upcoming events:

http://www.constellafestival.org/

Here’s the program for Sunday’s “Chamber Music by American Composers”

Phillip Lasser: the unwanted blues for violin and piano

Samuel Barber; cello sonata Op. 6:
1. Allegro ma non troppo
2. Adagio
3. Adagio appassionata

Aaron Copland: Piano quartet
1. Adgio serio
2. Allegro giusto
3. Non troppo lento

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The Four-Bit Fancy Band Plays Cliftonfest Today From 11 am to 1 pm

At the Clifton Plaza today (September 29), the Four-Bit Fancy Band will be playing Americana with bluegrass influences from 11 am to 1 pm as part of Cliftonfest. Banjo, dobro, upright bass, mandolin and twelve-string guitar are among the instruments this all-acoustic unit uses in performance. Along with playing music together for a long time, two of the band members – guitarist Rob Taylor and bassist Pete Brown – are veteran Gaslight Property employees.  Unless you’ve been hiding in some dark hollow, they’ll do songs y0u’ll remember from the Great Americana Songbook. Here’s a video of the Four-Bit Fancy Band performing the classics “I Know You Rider” and “Sitting on Top of The World:”

http://www.youtube.com/watch?v=2EagPNdIoMA

And here’s a lineup for the music for the rest of the weekend:

Saturday September 29

Clifton Plaza: The Four-Bit Fancy Band 11am-1pm
Middelton Stage: Robin Lacy & DeZydeco 2pm-4pm
Clifton Plaza: Hinkley Technologies 4pm-6pm

Middleton Stage: Destiny-N-August (Yoga Bliss, Mandala Art) 6-8pm
Middelton Stage: Jon Evans Collective 9pm-11pm
Sunday September 30
Clifton Plaza: TBA 11am-1pm
Middleton Stage: Tracy Walker 1pm-3pm
Clifton Plaza:Mandorla 4pm-5:30pm
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A Weekend in Clifton Kicks Off This Friday, September 28

A Weekend in Clifton (of which Gaslight Property is a proud co-sponsor) kicks off this Friday, September 28, and by all indications this will be the biggest and best celebration of Clifton in a long time. One hint that folks are upping the ante: a few blocks in the heart of the Gaslight District (Ludlow Avenue between Middleton Avenue and Clifton Avenue, Telford Avenue between Shiloh Street and Ludlow Avenue, and Ormond Avenue between Ludlow Avenue and Howell Avenue) will be closed from 6 pm Friday, September 28 to 5 am Monday, October 1.  That will encourage more of a street party atmosphere where people can roam around drinking beer, dancing, etc., etc.

The timing of this event couldn’t be better, as good news has arrived in connection with the new Goessling’s Markets, which now has all the pieces in order to begin the renovation of a store that we have dearly missed. Mark Goessling, the owner of the soon-to-be-renovated grocery store, will be celebrating this awesome turn of events by grilling out Friday, Saturday and Sunday in Clifton–so come say to him.

There will be music all weekend. I wrote about the opening act in a previous blog entry; the other Friday night band, MJ’s Blues, will be delivering a heap of soul, R&B, funk and blues music at the Middleton Stage Friday night from 9pm-11pm. The band’s influences include Muddy Waters, BB King, Otis Redding, Sam & Dave, Al Green, Sam Cooke, and Marvin Gaye. I’ve seen these guys before at Arlin’s, and along with knowing how to play their instrument they have an entertaining stage show – basically a great way to rev up the crowd Friday night.

Here’s a music schedule for the rest of the weekend – and remember, along with the music there will be visual art via StreetScapes, Art Cars and Art Carpets, and if you go to the facebook page for A Weekend in Clifton you’ll see evidence of all kinds of special sales from the small business that make the Gaslight District such a special place.

Cliftonfest LIVE MUSIC: Two Stages,

Friday Evening September 28

Clifton Plaza: A Side of Taylors 7pm-9pm
Middleton Stage: The MJ’s Blues 9pm-11pm

Saturday September 29

Clifton Plaza: The Four-Bit Fancy Band 11am-1pm
Middelton Stage: Robin Lacy & DeZydeco 2pm-4pm
Clifton Plaza: Hinkley Technologies 4pm-6pm

Middleton Stage: Destiny-N-August (Yoga Bliss, Mandala Art) 6-8pm

Middleton Stage: Jon Evans Collective 9pm-11pm

Sunday September 30

Clifton Plaza: TBA 11am-1pm
Middleton Stage: Tracy Walker 1pm-3pm
Clifton Plaza:Mandorla 4pm-5:30pm

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Laetitia Sadier at The Contemporary Arts Center This Thursday, Sept. 27

At 11 pm this Thursday, Sept. 27 Laeititia Sadier, the once lead vocalist/keyboardist/guitarist for Stereolab, will be performing at the Contemporary Arts Center. Stereolab had a distinct and seductive sound that combined a rhythmic groove with a loungy feel that was a throwback to the 1960s, when lush, colorful and dreamy sounds filled the air via soundtracks, bossa nova, and easy listening music . With a huge, airy soundscape, Stereolab was the ultimate headphone music. Laetitia’s new release, Silencio, finds her mining a similar sound. Having missed Stereolab’s performance at the Southgate House many moons ago, I’ll definitely come to this (please don’t sell out). Here’s a video of her single “Find Me The Pulse of The Universe”  from Silencio: http://www.youtube.com/watch?v=4dUqjE1prBM

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Fred Hersch at the Blue Wisp Tonight and Tomorrow

Due to some strange aligning of the stars, this week is shaping up to be an unusually exciting week of music in Cincinnati. For starters, tonight and tomorrow (Monday, September 24 and Tuesday, September 25) pianist Fred Hersch will be bringing a trio to the Blue Wisp. I believe it’s this week that Fred’s new 2-CD live set Alive At the Vanguard is being released on Palmetto Records. Alive consists of live performances at the Village Vanguard during a week-long stay with the same trio that’s coming to the Blue Wisp, and it’s one of those rare recordings that deserves “instant classic” status. Among the compositions included is “Doxy,” which was penned by Sonny Rollins; the first recording of it appeared on the Miles Davis album Bag’s Groove in 1954. It’s a nice, sleazy, boozy, bluesy number that I heard saxophonist Jimmy McGary perform one night at Cory’s. A few months later I requested the song before his show began, and he assured me that he wasn’t going to play it – and then, at the end of the last set, he broke it out. Fred Hersch, who grew up in Cincinnati and attended Walnut Hills High School, used to perform with Jimmy McGary, and I’m curious if they ever played the song together; maybe I’ll find out this week. Here’s a video of Fred Hersch playing “Doxy:”

http://www.youtube.com/watch?v=MGeqW9ahI34

In my next blog entry I’ll write about some of the must-see shows coming to the Midpoint Music Festival.

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The Art Cars Are Coming

A Warhol-Inspired Art Car From the 2011Cliftonfest

During Weekend in Clifton taking place September 28 to 30 local artists will be painting cars the way they should be painted: as works of art. The artists doing the work are all connected with ArtWorks, whose murals you’ve seen around town; in all, ArtWorks has created more than 300 public works of art in Greater Cincinnati. ArtWorks has long been part of at Weekend in Clifton; they started with painting the streets and four years ago added art cars to the mix. Read More »

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Sao Paulo Underground at the Contemporary Arts Center: Great Music, Great Time

 

The Sao Paulo Underground concert that took place at the Contemporary Arts Center last Friday was well attended: most of the seats were filled, plus many people chose to stand. The sound was good and the space intimate, and I think people appreciated the music from different angles: jazz fans who showed up to Rob Mazurek’s role were treated to some fine trumpet playing, lovers of South American music heard a post-modern take on Braziliana, and people who are tuned into new electronic were courtesy experienced a rich mix of both lo- and hi-fi keyboard sounds courtesy of Guilherme Granado.

That differing schools could appreciate the band was underscored after the show. When Guilherme Granado mentioned touring with the electronica ensemble Prefuse 73, it turned out a friend of mine was a fan, whereas I had never heard of them before. I, on the other hand, had seen trumpeter Rob Mazurek with the jazz ensemble Starlicker a couple times at The Loft Society. Since those performances I have written about Mazurek and two of the labels he records for (Delmark and Cuneiform), partly because I like his music and also because both of those labels are starting to put music out on vinyl again. Mazurek and I talked about that, and we also discussed his experiences playing the Loft Society, the great underground music performance in Cincinnati. “That’s probably my favorite place to play anywhere,” Mazurek said, which is amazing considering that he’s performed all over the world. And he’s not the only person who loved playing there: the late Billy Bang and Barry Altschul are among the artists I’ve chatted with who were effusive in their praise of the venue, which is swinging back into action with a performance by William Hooker on Saturday, October 20.

Here’s the closing melody from last Friday’s performance by the Sao Paulo Underground:

http://www.youtube.com/watch?v=lId77lDG9UQ

 

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Kicking Off A Weekend in Clifton

There will be two stages for music during the Weekend in Clifton taking place Friday, September 28 to Sunday, September 30 on Ludlow Avenue in Clifton. One of the stages will be located at Clifton Plaza next door to Aquarius Star, and the other stage will be at Middleton Avenue. In this blog I’ll be talking about some of the talent that will be appearing on those stages, and I’ll start with the first band to play on the first night.

From 7 pm to 9 pm Friday, September 28 a group that bills itself as “a bluegrass/folk/americana singin’ family” will be performing at Clifton Plaza next door to Aquarius Star and across the street from Graeter’s. Their name is A Side of Taylors, and basically mom, dad and the four kids all sing and play Americana songs with a purity and warmth that’s almost unheard of in mainstream music. Recently they were sent to America’s Got Talent because of the following video, and hopefully we’ll see them on national TV soon – but first catch them live and in person at A Weekend in Clifton:

http://www.youtube.com/watch?v=UYZGAFBjp_s

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An Exciting Concert at the Contemporary Arts Center this Friday, September 14

Trumpeter Rob Mazurek is one of the more restless and adventurous musicians  around these days. He’s part of the Chicago jazz scene, which remains vital even though elsewhere jazz has struggled to remain on the radar. Fortunately, his restlessness includes what I’m assuming is non-stop touring; I’ve caught him a couple times in recent years at the Loft Society, where he performed with Starlicker, a trumpet-vibes-drums trio. Even with such a small ensemble Mazurek favored a dense sound that only got thicker with his much larger Exploding Star Orchestra. Sao Paulo Underground, his combination of jazz, Brazilian tropicalia and electronics, is coming to the Contemporary Arts Center this Friday, September 14 at 8 p.m.  Again Mazurek will feature a dense, multi-layered sound, this time packed with polyrhythms and the rich harmonies of both Brazilian music and jazz.  Released on the Cuneiform label, the new Sao Paulo Underground record Tres Cabecas Locouras came out on vinyl, and a representative for Cuneiform has told me that both vinyl and CD copies of the release will be on hand that evening, so bring a few extra bucks and tote home a brand new record (remember when people though they were going to become extinct?). Here’s a link to a song from a 2006 Sao Paulo Underground release:

http://www.youtube.com/watch?v=s4XijbNSqh0

And a free download from the new release on Cuneiform Records is available here:

http://www.cuneiformrecords.com/bandshtml/saopaulo.html

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‘Newport: Gangsters, Gambling, Girls’ at the Esquire Theatre

 

It’s turning out to be a highly competitive week for this year’s Cincinnati Film Festival when it comes to bragging rights for neighboring cities. Sure, Cincinnati can boast about its beer history in The Cincinnati Beer Story, which played at the Emery Thursday night, but the folks living right across the river in Newport, Kentucky weren’t goody two shoeing their way through life, if  the sneak preview of Newport: Gambling, Gangsters and Girls (showing at the Esquire Monday, September 10 at 9 pm) is to be believed.

And who, I ask you, is really going to dispute that image when Jerry Springer‘s checkbook provided recent-enough smoking gun evidence of the fading embers of Newport’s golden days? If Cincinnati was the beer mecca of this region, Newport was the mecca of…well, every other vice. Maybe the beer  they served in the gambling joints and strip clubs wasn’t local or even in-state, but if the brewer was two miles away, wasn’t that close enough? And besides, do you really think the craps player really gave a hoot where the beer he slurped down between throws came from? I doubt that at the blackjack tables anyone was turning down a cold one because it wasn’t a craft beer brewed by his favorite micro-brewery. If I’m wrong, though, I’m sure Newport: Gambling, Gangsters and Girls will set me straight.

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A Weekend in Clifton featuring StreetScapes and Cliftonfest

Friday September 28th to Sunday September 30th A Weekend in Clifton featuring StreetScapes and Cliftonfest will return to the Gaslight District. Think of the event as three days of music and art, with live music kicking off Friday night and artists painting both streets and cars on Saturday and Sunday. There will be two musical stages and two beer vendors, and already news is spilling in of businesses on Ludlow Avenue doing special things in conjunction with the event, of which Gaslight Property is a proud co-sponsor. To give you a taste of one part of the event, here are some photos from StreetScapes in years past:

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Pones Inc., A Second Sunday on Main Highlight

This Sunday, September 9, Second Sunday on Main will be taking place between noon and 5 p.m. between 13th Street and Liberty in Over the Rhine. Second Sunday includes an outdoor market and a different theme every month. Activities will include a celebrity chef demo and the Hudepohl Bier Laufen, a “battle of the bars” that features ten Cincinnati bars racing against each other in make-shift racing carts. This Sunday is also a celebration of dance. Here’s a schedule of the performances:

Orchard Street performance area: 

Noon – Doxologies Dance & Theatre Company
1pm – Pones Inc.
3pm – My Nose Turns Red Youth Circus
4pm – KRE8V – Elementz

Read More »

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A Fine Way to Kick off the Cincinnati Film Festival

Along with reminding people that the Cincinnati Film Festival begins this Thursday, I wanted to point out that the lead-off movie will kick things off in style.

The Cincinnati Beer Story focuses on the history of beer-making (and, come to think of it, beer drinking) in Cincinnati. With micro-breweries popping up everywhere and Moerlein Lager House opening its doors, the timing seems perfect for this film. It will show at 7:30 pm at the Emery Theatre, but a walking tour will precede it; here’s a link to the actual event:

http://www.cincinnatifilmfestival.com/2012-schedule/opening-night/

The Cincinnati Film Festival has posted a schedule for all the nights along with descriptions of the films on www.cincinnatifilmfestival.com. As you check out the schedules, pay attention to which venue is showing that film that night, as there are several different locations.

That said, most of the movies will be appearing at the Esquire Theatre, which will have  one room devoted exclusively to the festival from Friday through Monday. To bring things full circle, the Esquire now serves alcohol, including White Russians, as many Big Lebowski fans discovered during the recent midnight showings of the film. Beer, popcorn and a movie – now there’s a combination.

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The Cincinnati Film Festival Returns September 6 – 14

The Cincinnati Film Festival is returning to Cincinnati on September 6-14. Today I had a chance to talk to Executive Director of the festival, Katharine Steele, about the event. For this, the third year, the primary (but not the sole) location will be the Esquire Theatre in Clifton, and as I talked to Katharine it became clear that along with bringing in movies from all over, the festival is as much about people, and Cincinnati, as it is about movies.  “We have more filmmakers coming in this year than in any of the three years, from NYC to LA and everywhere in between,” she explained. “It’s all about welcoming them here, showcasing their films to a new audience, and introducing the filmmakers to our city. If they like Cincinnati, maybe they’ll want to make a movie here.”

For more information on the festival, go to the festival’s website, cincinnatifilmfestival.com.

How do you choose the movies you choose?

The majority of the films are submissions through Without a Box, an online submission tool. This year we had submissions open from April 1 to July 1. Then our all-volunteer screening committee and staff reviews and puts down feedback for our submitted films. Submitted films that are accepted become part of our Official Selections, eligible for juried awards. Invited films, which usually already have distribution, are not. Read More »

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New to America, and Living in Cincinnati?

Many of Gaslight Property’s tenants (and prospective tenants) are international, and some are new to America, with Cincinnati being the first city they live in. One of the things that people from overseas quickly learn is that the image of America they receive from thousands of miles away isn’t necessarily reality. Here I’m reminded of a story I heard once from an American who stayed with a family overseas. At dinner on one of the first nights the mother, who had never been to America, told her family that in America if someone’s car broke down they simply left it there and then went to car dealership to buy a new car.

It’s not that simple, and a lot aren’t simple for people who have just moved to America. Because of that, a webpage has been created that you should know about that could make the transition easier. Basically it’s a down-to-earth, nuts and bolts webpage with lots of information about getting started. It tells what you should expect to pay for certain things; it tells you about social security cards and other work-related matters; public transportation and the social scene are among the other matters that are addressed. Read More »

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Catching Up With Bassist Chris Dahlgren

 

When I first saw jazz bassist Chris Dahlgren perform both of us were living in Cincinnati. He was clearly quite versatile, working in numerous settings and in different genres, although I always thought of him as a jazz musician first and foremost.  I saw Chris perform several times back then and heard about many of the projects mentioned in this interview, but until he listed some of them in his email responses to these questions it never really struck me how much of an impact he had on the music and overall artistic scene while he lived in Cincinnati.

Not surprisingly, he moved on, first to NYC and now Berlin. Since Chris left I’d occasionally hear about projects that he was involved with; for example, I knew he was working with Gebhard Ullmann and Anthony Braxton. When I ran across the CD Mystic Maze by Chris Dahlgren & Lexicon in a record store, however, I had no idea what it would sound like—and now that I’ve heard this strikingly original work, I’m not sure that knowing his entire oeuvre prior to that release would have prepared me for Mystic Maze. With a quintet that includes saxophonist and bass clarinetist Gebhard Ullmann, Dahlgren (while playing the bass) recites some highly vitriolic criticism directed at Bela Bartok when he was considered by many people as the enfant terrible of classical music. Spoken word recitations + jazz can be a dry affair, but Mystic Maze is actually quite entertaining; it’s odd how funny it is at the same that it helps prove what dummies critics can be. After hearing Mystic Maze, which is available on the German label jazzwerkstatt, I tracked Chris down and asked him if he’d be interested in answering some questions—and here are his responses. Read More »

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Blues Merchants Return with Tattoed with the Blues

Blues music is tricky. We’ve all been to shows where blues artists tear through a set like nobody’s business, yet when you get home and listen to their albums their recordings don’t do them justice. Somehow the energy that comes through when a fired-up audience is on hand up just doesn’t translate to the studio.

That problem does not apply, however, to the new Blues Merchants album, Tattoed with the Blues. A five-piece Cincinnati band. the Blues Merchants formed in 2006. Tattoed is their second full-length release, and it’s clear that the excitement of their live shows also comes through on their studio recordings. The band is tight but not slick, and although the sound is polished, it still has a live-in-the-studio feel. For this we have to give some credit to Ron Esposito, who produced the record and who also, along with Bill Gwynne, helped mix it.

Something else that stands out on the record is the songwriting, which is primarily split between guitarist Chris Kepes and keyboardist Bob Nave. You may have heard Bob on the radio (WNOP and WVXU, among others), and you may have heard him in other local bands, including the Lemon Pipers, whose “Green Tambourine” was a #1 single in 1968; they also performed at Ludlow Garage. Bob slips in some nice keyboard licks on the record, and Chris Kepes is a versatile guitarist whose slide work bears special mention. Read More »

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Purity Ring at Mayday This Saturday

When I was growing up my mother always told me if you can plug two things in a blog entry that’s better than one, and three’s even better, and today I get a chance to do that. The dream pop duo Purity Ring is coming to Mayday at 4227 Spring Grove Avenue in Northside this Saturday, August 25. Purity Ring is on the 4AD label, whose recording artists also include The National, St. Vincent and Bon Iver. Tickets for Purity Ring are $10 in advance and $12 the day of the show. Mayday hosts some interesting shows that come and go very quietly, so I encourage you to keep checking their website, www.maydaynorthside.com. Read More »

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Another Part of the Forest, A Record Store in Cincinnati

Another Part of the Forest is a record store located at 1333 Main Street in Over the Rhine. It’s hard to tell, with all the artwork in the windows – and with the very un-record store like name – that it is what it is, but upon entering the front door you will realize that you have entered a room where massive quantities of vinyl are for sale.

There are other stores in Cincinnati that sell vinyl, and lots of it sometimes, but I doubt that the ratio of vinyl vs. everything else in the store is anything like it is here. The owner, Michael Markiewicz – you may remember him from Kaldi’s – estimates that there are about 20,000 LPs between the first floor and the basement; there’e also a few thousand 45s.  So while there are DVDs for sale and rental, and books and magazines and CDs, the reason  people’s jaws drop when they enter the store is the staggering amount of vinyl. It’s a little out of control – and some days more than a little – but vinyl lovers like things a little messy. Read More »

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Did You Know About This Recording Studio?

I dropped by to see my friend Lou Lausche the other day. Along with being a bass player who’s been involved in countless jazz sessions in Cincinnati and elsewhere, Lou also, it turns out, has a recording studio on Winton Road. It’s interesting just how much much memorable music has been recorded there, yet none of the Cincinnati musicians I’ve talked to so far even know it exists.

Partly that’s because the recording studio is a labor of love that’s more an offshoot of his musical interests than a full-blown commercial enterprise. That said, Lou is open for business, so here’s a couple facts: the address is 9326 Winton Road, and his phone number is 513.521.0015. Read More »

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On The Road: The World’s Longest Yard Sale

It used to be that I would hit the occasional yard sale and buy the occasional record,  which is why a couple of my walls consist of nothing buy vinyl. Recently, though, this new thing came along called the mp3 that’s invisible yet still makes sound, and I kind of see myself transitioning over to that side of things here in the near future. And the thing is, you can’t buy an mp3 at a yard sale. So when the biggest yard sale in the whole wide world came to my attention this year, I figured, why bother? I have one of those ipod thingies (actually I don’t, but I could borrow one, probably), and rather than listen to Electric Ladyland on a real stereo I could check it out on like some two-inch speakers, so as to get with the times and find out just how bad great music can sound if you allow it to. Read More »

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Ralph Peterson Fo’Tet at the Thompson House Friday Night

This Friday, August 10 a jazz heavyweight is bringing a quartet–excuse, me Fo’Tet–excuse me again, Fo’Tet with a special guest artist–to the Thompson House (i.e., what used to be called the Southgate House). The show’s from 8 pm to 11 pm, and the heavyweight of whom I speak is Ralph Peterson, a drummer who by the time he put out his first record as a leader had already collaborated with some of the baddest dudes around, Walter Davis, David Murray and Branford Marsalis among them. Tickets are twenty bucks at the door. Read More »

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Cincy Blues Fest Returns This Week

Cincy Blues Fest returns this week with music Friday, August 10 from 5 pm to midnight and Saturday and Saturday 4 pm to midnight. The Blues Fest takes place at Sawyer Point Park, near Yeatman’s Cove and the I-471 bridge, with parking in nearby lots. The stages will include a Local Stage, the Main Stage, a Showcase Stage for up-and-coming talent, and the Boogie Woogie Hall of Fame Piano Stage; that’s the place where, at 11:50 pm, the grand finale jam will take place. It you get there about fifty minutes before that you will have an extremely rare opportunity to see a French pianist by the name of Fabrice Eulry, who is one of the few artists out there who has collaborated with saxophonist Big Jay MacNeely and this dude from an old Detroit band named the Stooges:

http://www.youtube.com/watch?v=yxiBNBP5SH8 Read More »

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Cello Prog Pop at Sitwell’s Tonight

At 9 pm tonight (Monday, August 6) cellist, vocalist and songwriter Ian Cooke will be performing what has been billed as cello prog pop at Sitwell’s Coffeehouse on Ludlow Avenue. Based in Denver, Ian is gigging around the country, and here we have yet another itinerant musician who somehow discovered that because it’s centrally located and supports interesting music Sitwell’s is a great venue to approach for a gig while you’re roaming the country. Ian has a few full-length releases under his belt, and here’s hoping he brings the vinyl for his most recent effort, Fortitude, which is both a nice-looking and nice-sounding  new release. Read More »

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Reverend Peyton’s Big Damn Band In-Store at Shake-It Monday

Although Reverend Peyton’s Big Damn Band has released several albums, they seem to be getting more attention lately. I’ve been hearing them on WNKU, and they recently performed at Cincinnati’s first-ever Bunbury Festival.  This Monday, August 6, they’ll be performing an in-store at Shake-It Records in Northside at 7 pm.  This “big damn band” is actually a small band with a big sound, and it’ll be cool to hear how it fills up Shake-It Records on Monday. To proclaim this band unpretentious is to put it lightly; they like to let their hair down, and their crowds do too. They’ll be appearing in support of their new album, Between the Ditches. Here’s a clip from a live performance:

http://www.youtube.com/watch?v=MhKgEYzRqRA 

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Free Shakespeare Play August 11 at Clifton Cultural Arts Center

On 7 pm Saturday, August 11 Cincinnati Shakespeare will present a free performance of Shakespeare’s play The Tempest outdoors at the Clifton Cultural Arts Center at 3711 Clifton Avenue. Not that it needs more publicity, but the Shakespeare play is about to get more publicity, for Bob Dylan recently chose to name his new release  Tempest. When asked if a nod to Shakespeare was involved, Dylan insisted that was not the case, for after all his title lacked the word “The.” Methinks that won’t be the end of the discussion, however–and among other things if you attend this event you’ll have a refresher course on Shakespeare so you can barrel ahead into whether or not you think the new Dylan title owes something to the bard.

More motivation: free ice cream will served that was provided by UDF. The event is in celebration of Community Arts Centers Day, and this is a great opportunity to catch up on what Clifton Cultural Arts Center is up to.

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Ponderosa Playing an In-Store At Shake-It at 7 Tonight (July 30)

At seven pm tonight (July 30) at Shake-It Records in Northside a Georgia-based band called Ponderosa will be performing an in-house. Interestingly, Ponderosa isn’t playing in Cincinnati later that same night; they’re simply excited about their new album, Pool Party, and they’re eager to spread the word about it. Read More »

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A Busy Day at the Blue Wisp

It’ll be a busy day today at the Blue Wisp, with Carmon DeLeone’s New Studio Big Band performing at 3 pm and Andrea Cefalo at 7:30. I’m a fan of both, and I interviewed both. Recently I embarked upon an article focusing on a musician named David Matthews, who lived in Cincinnati for about ten years, starting in 1960. He was roommates with Carmon DeLeone during college and gigged with him, and they led an ensemble that toured Europe in the summers. While writing the article I ended up contacting Carmon DeLeone, who was tremendously helpful, and when I found out he was going to be going to the Wisp I decided to email him some questions in case he had time to answer them. His answers were very thoughtful, and I ended up submitting the interview to the Cincinnati Enquirer. Here’s a link to it:

http://news.cincinnati.com/article/20120729/ENT03/307290019/DeLeone-keeps-beat-alive?odyssey=mod|newswell|text|FRONTPAGE|s Read More »

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Maria de Buenos Aires Comes to Over the Rhine

(A quick reminder before I launch into this blog entry: Carmon DeLeone will be playing at the Blue Wisp at 3 pm tomorrow, July 29,  and Andrea Cefalo will begin her first set at 7:30 pm. )

At the last minute yesterday I ended up with a ticket to Maria de Buenas Aires, a tango opera by Argentinian composer Astor Piazolla. I had pretty much written that one off; the two performances were in the Music Hall ballroom, with only 400 seats per show, and by the time I caught wind of the event tickets had long been sold out. Read More »

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Interview with Andrea Cefalo; She’s at the Blue Wisp Sunday Evening

 

Recently I wrote, for a magazine, a lengthy feature article on female jazz vocalists from around the world, not so much the famous ones but good ones, many of them up and coming. Writing the article entailed, in part, contacting record companies in America and abroad and encouraging them to send me all the CDs they had by jazz singers. I ended up with piles of them. There were plenty of rejects, but the ones I liked best I ended up recommending.

It strikes me that it would make sense to do something similar in Cincinnati—and if I do it, my A-list will include Andrea Cefalo, who I’ve seen several times at different venues around town. It’s been a while, though, and it was nice to catch up during a phone conversation today. Andrea will be performing at the Blue Wisp this Sunday, July 29, from 7:30 pm to 11:30 pm, as part of a quartet that includes Brian Cashwell on piano, Don Aren (who you may know from the Faux Frenchmen), and Napoleon Maddox (from IsWhat?!) on beatbox and vocals.

I’ve seen you a bunch of times, but I think at least a couple years have passed since the last time I saw you perform. So fill me in: have you been playing out as much, or have I been staying in more?

I have been gigging as much as I used to. I played a lot at the Meritage Restaurant in Glendale. And recently I had a couple dates at the Blue Wisp; the Wisp really is special for me. Read More »

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uKanDanZ was great; More Music to Come

I’m about to discuss the concert that I saw last night and the music coming up later this week, but first I wanted to share with the world some very important new about cuisine here in the city of Cincinnati: Shanghai Mama’s, my favorite restaurant in the city for the food and the atmosphere, is back in action. After a fire at the end of last year Shanghai Mama’s predicted that they would reopen months ago, but the opening kept getting delayed. And although they’ve been open several weeks now I be there are still lotsa folks out there who haven’t heard yet that they’re back in operation. (And a reminder: on Fridays and Saturdays they’re open until three AM.)

Read More »

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Lisa Biales Interview; She’s Playing Seasongood Pavilion This Friday

This Friday, June 27, at Seasongood Pavilion in Eden Park, a free concert will take place as part of the Edensong series. The artists performing that night will be Lisa Biales, Neil Jacobs, Noah Wotherspoon & Jessi Bair, The Tillers and Ricky Nye. The show starts at 8 pm and ends at 10 pm—and make sure you get there in time, because Lisa Biales will be opening the show with a solo performance. Lisa recently released her seventh CD, Just Like Honey, and recently I had a chance to chat with her about her new CD, touring, and her recent appearance in a Francis Ford Coppola film.

I’m making sure to tell everyone to show up on time for the concert, because you’re kicking it off.

I’m kicking it off, and I’m asking Ricky Nye, who’s closing the show, to sit in with me. Read More »

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Music at The Incline, The Avenue, and MOTR Pub

Last Saturday the urge hit me to revisit The Incline Lounge at the Celestial in Mt Adams, and I’m glad I did. You would be hard pressed to find a place in town more suitable for a cocktail, and true to form cocktail glasses were in abundance that evening. The Lou Lausche Trio (consisting of piano, bass, drums) was playing, and when we walked in they were performing a song I’m not sure I’ve ever heard in Cincinnati, or for that matter anywhere: “Nardis,” an early Miles Davis composition that Miles never actually recorded and which came to be associated much more with Bill Evans, who revisited the composition many times during his career. The trio also delivered a nice rendition of “Doxy,” which is a great sleazy, bluesy, boozy, seldom-played Sonny Rollins song that Jimmy McGary used to like to play and that I mentioned to Lou the day before the show. What a nice and thoughtful surprise it was to hear it, and the trio sounded great, and the Celestial has managed to retain the charm that’s been there since it opened many moons ago. Although I don’t remember her name, the vocalist who joined the trio for the second half of the first set was very tasteful, and hearing the music plus seeing the fireworks after the Reds hit a homer and won the game made for a great experience at the Incline Lounge.

(And lest I forget, the Manhattan they served me was stellar.) Read More »

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Looking for an Apartment? Talk to These Folks

Often when you rent an apartment the landlord is a remote figure, appearing long enough to hand you a set of keys before wandering back to a far-off neighborhood or even another city; someone was telling me the other day that her landlord lives in Florida. With Gaslight Property the renting experience is much more personal, with a brick and mortar office in the heart of the Gaslight District that tenants and prospective tenants can feel free to visit.

The location of the office is also convenient—311 Howell Avenue, in the heart of the Gaslight District, one of the best neighborhoods in Cincinnati and an area where Gaslight Property has a wide choice of apartments available. (They also have apartments all over greater Cincinnati, as our website makes clear.) Deciding where you’re going to rent is an important decision, and many people feel more comfortable meeting face to face in an actual office when they commit to a new apartment.

Gaslight Property is a family-owned business that’s been part of Clifton for decades. Their motto is “classic living, classic places,” and they’d love to show you what that means. Recently I was lucky enough to gather together everyone and snap a photo in front of the office. Although each person in that picture performs a different role, in one way or another every one of them is there to make sure that the experience of renting goes as smoothly as possible. Call 513.861.6000 today to make an appointment to discuss your next apartment.

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Northside Farmers Market Wednesdays from 4 to 7

We turn this week to the theme of food, including some long-awaited news of our much-missed grocery store. Right now, though, a reminder of a great opportunity to buy fresh produce at a convenient location. Located in Hoffner Park in Northside, Northside Farmers Market is a weekly event that, along with food, offers latin music this week, plus this month there will be a photography contest that will mean a gift certificate for the winner. Here’s the details:

Introducing the first annual NFM Photograph Contest: Here is your chance to become a known photographer! We are looking for a few great photos all through the month of July… bring your camera to the market, take photos, choose the best three, email them to northsidefarmersmarket@gmail.com and you could win a $20 Northside Farmers Market gift certificate. Awards will be announced August 1st and you need not be present to win. Winning photographs will be highlighted in a major email blast and on the northside farmers market facebook page.

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Favorite Bogart’s Concert: Ramones, 1978

Returning once again to the theme of favorite concerts, we have here a piece penned by David Hintz, who used to live in the area (Dayton and Oxford) who is now writing a blog in the DC area, DC Rock Live. Here Dave writes about seeing the Ramones at Bogart’s in 1978, when Bogart’s and punk were both new:

I had just turned 19 and was starting my sophomore year at Miami University. It was legal to drink in those days, thanks to development of 3.2 (% alcohol) beer. Ergo, nightclubs were calling. But there was another more important calling that I had discovered one year earlier: punk rock. Most music fans understand the importance of the punk movement, but it is hard to believe how dangerous and daring it was back at its outset. From the streets of London to CBGBs, punk band members and fans were stabbed, beaten up and constantly hassled for looking different from both the norm and the ‘normal outcast’. Read More »

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DC Rock Live: A Unique Music Blog (Part 2)

By itself attending two hundred concerts a year is a lot, and reviewing all those shows, opening acts included, takes us well beyond the realm of casual listener. During the second part of my interview with Dave Hintz, who lives in Washington DC and whose website DC Rock Live is devoted to the concerts he attends in that city of politics and great live music, we talked about what it was like reviewing so many shows, where the threat is there of becoming blasé or grumpy. Read More »

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DC Rock Live: A Unique Music Blog (Pt. 1)

 

College is supposed to be place where, when you go there, you’re exposed to interesting ideas and cultural events and all kinds of mind-blowing music, and for that reason I was shocked to learn during my freshman year at Miami University that the standard musical diet was so middle-of-the-road blah that I threatened to sue the university.

What made matters worse, everybody bought the same damn records—or almost everybody anyway. To this day, whenever I overhear “More than a Feeling” I start twitching and sweating….Whatever the opposite of nostalgia is is what I feel when I hear that song and many others that blasted from Infinity speakers all across the campus…. Read More »

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Why I Love Clifton

 

I can explain to you why Clifton is a magic place inspiring a deep sense of awe, but in order for you to get the full picture we need to go back several years and travel to the basement of the house where my aunt and uncle live in Cedar Rapids, Iowa.

One week I slept in that basement while visiting the state where I grew up and where massive tribes of my relatives still live (they’re Catholic, okay?).  One night before I went to sleep I drank beer and shot one-man pool on a lopsided table worn down from years of late-night “tournaments” where subtlety and accuracy were prized less than brute force.

Later that night I discovered a black case that, when I opened it, revealed a dusty old saxophone.  The brand name—Wulitzer—conjured up images of brightly lit organs played by women with beehive hairdos in rooms with shag carpet and wood-paneling.  So was the instrument an alto or a tenor?  Neither, actually.  What I unearthed was a C melody saxophone, an instrument whose heyday, I came to learn, was between 1918 and 1930.  Being in the key of C made it easier to play than other saxophones—it required none of that transposing business that made things tricky for beginners enrolled in Music for Dummies courses—but after production plummeted during the Depression manufacturers forgot that it existed. Read More »

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Time Traveling at the Esquire Theatre: Safety Not Guaranteed

That tells you what I know – on July 4 I entered the Esquire Theatre thinking that when I sat in a dark room to watch Safety Not Guaranteed I’d pretty much have the place to myself, being as July 4 is all about picnics and parades…or so I thought. Apparently the large matinee crowd was thinking what I was thinking: escape the brutal heat and sit in a cool, dark room while watching a  large screen where people try to tell you a story. Read More »

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Searching for an Apartment? Talk to These Guys

If you’re searching for an apartment to rent, a phone call to this number – 513.861.600 – can lead to an appointment to view apartments all around greater Cincinnati. And because Gaslight Property has apartments all over Clifton, that’s particularly useful knowledge to students getting ready to go back to college. Read More »

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Highlights of the Northside Parade

There is an art to trying to photograph the July 4 Northside Parade every year. The first thing you need to do is secure some shade – and then what you have to do is dart out of the shade and into the sun in time to take a good picture.  I did not always succeed – and in some ways I haven’t completely figured out what some of the sights and sounds I witnessed were supposed to represent, which makes going back and looking at the pictures all the more fun. Read More »

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The Northside Rock ‘N Roll Carnival is On…Now!

The Northside Rock ‘N Roll Carnival started at 2:30 pm today at Hoffner Park, but worry not if you missed the opening act, because the final band won’t take the stage until after midnight. Due to July 4th falling in the middle of the week, the music only lasts one day this year, which means fewer groups overall, but the folks running the show went out of their way to pack the event with a strong lineup that includes The Big Sleep (from NYC) at 11:00 and Pujol (from Nashville) at 12:20. I have a hunch that the crowds will grow as the temperature drops for this event, and nothing’s going to stop people from attending the July 4th parade taking place at noon. There’s also an all you can eat pancake breakfast at 9 in the morning on July 4th at North Presbyterian Church, located at 4222 Hamilton Avenue. Read More »

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Higher End Apartments at a Reasonable Cost: 550 Lowell Ave. in Clifton

Some nice apartments just opened up in Clifton, and lots of them: currently there are 11 units available at 550 Lowell Avenue, which is within walking distance of the University of Cincinnati. Read More »

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Roland Kirk on WMKV Sunday, July 1 at 10:00 PM

Even Rahsaan Roland Kirk fans who live in Cincinnati are often unaware of his connection he had with this city. During a recent talk at MotrPub, Jim Tarbell mentioned that he used to see a blues band downtown that had in its horn section Roland Kirk. Local jazz artists Ron Enyard and Charlie Wilson have both performed with him. And for a short period the jazz wunderkind lived in Cincinnati. Read More »

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Meet Charlie Wilson, A Kick-Ass Jazz Pianist

Part of the process of becoming a jazz musician is learning the technical side of a genre that’s extremely demanding.

There’s something else, though, something inside you, something intangible but real—and whatever that is, Charlie Wilson has it, and so does his partner in crime, King Reeves. The two of them will be performing duets together Friday, June 29 at 9:00 PM at the Thompson House, which is what used to be called the Southgate House. Vibraphonist King Reeves and pianist Charlie Wilson have performed together for a couple decades, and they were friends before that. When they perform together you can feel the chemistry of two cats who love each other and love jazz. Read More »

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Meet Carmen Bowen Bush, An Artist

 

A few days ago I received a call from a friend who had lost my number but who ran into another friend who did have my number, which came as a great relief to Friend #1 because he wanted desperately for me to make it over to the place where a number of old jazz records were being sold. Read More »

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Breathing New Life Into Short Vine

I’m sure there are people who drive or walk through Short Vine who have no idea how vital it was in the not-too-distant past. Read More »

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What’s In Store for Bogart’s

In a recent blog entry the general manager of Bogart’s, Karen Foley, told me some of the changes she made shortly after taking that role, and later in that same interview I asked her what she had in store in the future.

It turns out a lot is changing soon.

“In the next couple weeks we’re going to build out of the back of the building a smoking patio,” she said, “and with any luck we’ll have drinks out there. Also, we are building VIP platforms above our bars on the floor.” Read More »

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The Afghan Whigs Coming to Bogart’s

Just as I was finally getting ready to return to the interview I conducted with the general manage of Bogart’s, Karen Foley, news comes to me that pre-sale tickets are on sale starting at noon today for the Afghan Whigs, who haven’t played a concert anywhere in over ten years, and are returning to Bogart’s, the last place they played. The show is October 25; presale tickest are available to Afghan Whigs fans starting at noon at THIS LINK

The password for pre-sales is:     uptownagain

Another option: tickets go on sale to the general public this Friday at 10 a.m.

My favorite Afghan Whigs concert took place at Shorty’s On Vine, a small, short-lived venue that had some great acts, including the Smashing Pumpkins. During their encore, the Afghan Whigs played back to back – although I don’t remember in what order – “Rain” by the Beatles and “Africa” by Toto.

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Favorite Concert Ever, Part 2

I have lots more to say about new things going on at Bogart’s and on Short Vine in general, and I’ll get to that this week – but today I wanted to wrap up (maybe) the theme of favorite concert ever. Guitarist extraordinaire and music teacher extraordinaire Jeff King had this to say about a series of Michael Hedges concerts that took place at Bogart’s:

The crowds at some of those Bogart’s shows were simply amazing. There would be thunderous applause and standing ovations in the middle of songs and then it would be so quiet you could hear a pin drop during the ballads. Hedges really fed off that energy. I’ll never forget him doing the bluesy, vocal riff on “Gimme Shelter.” Read More »

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Seeing Santigold Live at Bogart’s

Last night was very nostalgic for me and my friends. Several of us had arranged to meet at Bogart’s for the Santigold concert, but no one had nailed what time they planned to arrive, so when I showed up a few minutes before Santigold was supposed to take the stage (I had missed the opening act completely), I wondered if I got there too late.

As it turned, out though, everyone—and this was three different groups of friends—showed up right around that time, not because they wanted to blow off the opening act but because, like me, they were running around and doing all that stuff you gotta do before you can go out and have fun. Read More »

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Favorite Concert Ever, Part 1

The response to the contest where people were supposed to write about their best concert ever was so overwhelming that I’ll have to break it down into separate blog entries. The first two top-prize winning entries happen to have been written by women, which leads to me to wonder if men don’t trail behind the fair sex a bit when it comes to appreciating a good live concert…Maybe not, but I just wanted to throw it out there. The idea for this contest came via Karen Foley, the general manager of Bogart’s, who offered tickets  to tonight’s Santigold concert for the two most entertaining concert stories concerning an all-time favorite concert. (There are still tickets left for tonight’s show, by the way.) And here, at last, is first prize, courtesy of Claudia Cartolano Taylor:

I am a veteran concert goer. I am in my 40′s and have been to many, many concerts since I was a kid. In fact, my first concert was Iggy Pop at the Taft. I was not even out of grade school. My parents were out and some neighborhood kids, a hair older than I, had an extra ticket for Iggy Pop at the Taft. I hopped in the car and  got to not only see Iggy, but David Bowie came out and played with Iggy on a couple of songs. I was almost a teenager, overwhelmed, in awe, and hooked on music. GOOD Music! Plus, my high school neighbors got me home and tucked in before my parents ever knew. Could’ve been a scene out of the film, ALMOST FAMOUS. Read More »

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What’s New at Bogart’s

 

Karen Foley, General Manager of Bogart's

Sometimes it takes a person who lives thousands of miles away to make it clear how special something is that’s right in your hometown—and that’s true even if it some of the luster was temporarily lost. When I talked tonight to Karen Foley, the new general manager of Bogart’s (she assumed the position in September of last year), she made it clear right away that she had great respect for the club on short Vine in Corryville.

“I came from Arizona and I had done my research, and I knew that Bogart’s was an iconic venue,” she said. “Everybody knew about it. Unfortunately when I got here the building the neighborhood was less than desirable. There was graffiti on the front door to welcome me. And the bathrooms, I wouldn’t even use them.”

So where did she start? Read More »

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John Ray Is a Rock Star

In a recent blog I discussed how I sought out music that challenged me, and apparently I feel same way about drama, because I was quite fond of The Sweet, Burning Yonder by John Ray. Yes, he had given me a synopsis of the play, and yes, I read the program before the performance, but knowing what a play is “about” doesn’t necessarily mean that you’re ever totally grounded…and I don’t think you’re supposed to be when you watch a play by John Ray. The Sweet, Burning Yonder played to sold-out crowds all five nights at the Fringe Festival this year, and to me it embodies the spirit of that festival; it’s experimental, bizarre, funny and strange at the same time that  sheds some light on dark themes. Read More »

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Meditations on Radiohead at Riverbend (part 2)

MEDITATION #2: RADIOHEAD IS A BAND

Radiohead is a band. I mention that because quite often bands break down into separate islands that never quite connect. Sometimes this happens when a newly-formed “supergroup” fails to focus its energies, and sometimes it happens when a band that has been together a long time starts to splinter; when they play, you can feel the tug of war going on during a performance, either that or the apathy after they lay down their arms. With Radiohead the extended instrumental sections could threaten to make lead singer Thom Worke seem like an accessory, but that never happened. At one point—I can’t remember if he was singing part of the time or not—he was playing maracas, and while sometimes it seems like singers play incidental percussion in order to have something to do, what he played was well miced and really added something to the song. The light show was great; although it was dazzling, it never took over; but the best visuals of the night occurred when Thom raised his arm and then brought it down quickly and then made some other movements that the band synched with perfectly; powerful stuff. Read More »

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Meditations on Radiohead at Riverbend (part 1)

 

       MEDITATION #1: KEEP IT COMPLEX AND ATONAL, GENIUS

“All things are a-flowing/Sage Heraclitus said,” but rock musicians and rock journalists keep pounding home the same theme: rock and roll should be raw and basic, and whatever you do don’t clutter it up with your fine little subtleties. When Jack White waxed rhapsodic about performing with a drummer who had no experience behind a drum set you would have thought that he had gone where no one had previously traveled, but actually the notion that people who don’t know how to play should go ahead and play anyway had been around for some time, and in the end (actually, in the beginning) the White Stripes were just one more band that kept things brutally simple. And beautiful music has been made that way. Certainly Bukka White made beautiful music while banging an acoustic guitar with so much force that you wonder not only how it stayed in tune if it did stay in tune but also how it was that the guitar avoided being shattered to pieces. Read More »

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Radiohead at Riverbend Video

Tonight: Videos

Tomorrow: A Review

These are some songs I videotaped from the Radiohead show last night:

http://www.youtube.com/watch?v=R2Wy-VQsV_M&list=UUR7H-xlvgr8ZNV4nNjuE-mg&index=7&feature=plcp

 

http://www.youtube.com/watch?v=iHwYhYO__1Y&list=UUR7H-xlvgr8ZNV4nNjuE-mg&index=3&feature=plcp

 

http://www.youtube.com/watch?v=RjTZavXJDBg&list=UUR7H-xlvgr8ZNV4nNjuE-mg&index=1&feature=plcp

 

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rADIOHEAD! aT rIVERBEND!

IMAGES FROM THE EVENT

TOMORROW: VIDEOS

Read More »

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Why College Hill Coffee Company is So Popular

When I dropped by the College Hill Coffee Company on Saturday morning it was already hopping, with many tables occupied and people in line for carry-out. I have a theory why the coffee house is so popular, and it’s a simple theory. Sure, the coffee is good and the service is nice and it’s a comfortable space with a neighborhood feel, but there’s one other thing the coffee house gets just right, and I can sum it up in three words:

Location, location, location.

At the corner of Hamilton and North Bend in College Hill, the coffee house is as centrally located as it can be. It’s smack dab in the middle of the city, and it’s close to everything—which is worth mentioning because there are apartments above the coffee house that are available for rental through Gaslight Property.

These are four-room apartments with hardwood floors and off-street parking, plus they’re on the bus line: here’s a link (w/photos) to one of the apartments:

http://www.gaslightproperty.com/units/6128-hamilton/

One other plus: the apartments are right about a coffee house. When I visited on Saturday I asked a server the question that’s been haunting me ever since the weather got hot: what do you recommend for a really refreshing drink? Her answer was a frozen chocolate frappe with white chocolate, espresso and carmel. She said this personal favorite was “sort of on the menu,” which implies a certain amount of experimentation in the search for the perfect drink, so feel free when you visit to tweak your orders when you visit.

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Channing & Quinn at Sitwell’s Tonight

Here’s my vote for the best kept musical secret in Cincinnati: Sitwell’s Coffee House on Ludlow Avenue. Time was when Sitwell’s played occasional host to live musical performances with a slim roster, and there were sound and visibility issues: often the band seemed to labor away in the corner, ignored by the crowd. Read More »

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Grand Opening of the New Ludlow Wines

When I dropped in Ludlow Wines at 343 Ludlow Ave. in Clifton a couple days ago to stock up on inebriants I was reminded that the Grand Opening was taking place on Saturday, June 2, starting at noon. Read More »

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Surviving Summer at Sitwell’s

You’ve always been able to count on Sitwell’s Coffee House on Ludlow Avenue for one-of-a-kind concoctions, and when I dropped by today I learned of a couple cold drinks that could help us survive the recent balmy weather.

One of the servers, Nicole, recommended the new mint chocolate chip cappuccino shake, which isn’t on the menu, but it’s already a hit.

Nicole also said that her staple for the hot months is iced coffee, which seems to taste better the more the temperature and humidity ascend.

The owner of Sitwell’s, Lisa Storie, says her favorite hot weather drink is a black raspberry grape yogurt smoothie. Those aren’t on the menu either, but Sitwell’s has been making them a long time, and it might be just what you need as you come in from the tropical weather.

While you’re in Sitwell’s you should also check out an exhibit of art by local cartoonists, the “Lost Cats: An Inter-Generational Cartoon Art Show” that’s on the walls.

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Fund Raiser for Larry Goshorn at Redmoor Saturday, May 26

For those of you who weren’t able to attend, there’s some footage here of part one of the series “Jim Tarbell Talks Music” that began last Sunday, May 20, and will continue the following two Sundays, May 27 and June 3, at 2 pm at Motr Pub. This is one of the three parts that an audience member filmed, and the other two parts are on the same webpage. After the talk I asked the couple that was filming if they could send along footage, and they were nice enough to do that – so thanks to Dave and Julie Gallenstein for uploading it:

http://www.youtube.com/watch?v=jmwgWvPI4KI

Read More »

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Art Exhibit at Clifton Cultural Arts Center

From June 1 to August 2 the Clifton Cultural Arts Center, located at 3711 Clifton Ave., will be hosting an exhibit that deals with a theme that must have struck a chord with both local and national artists.

“The response was phenomenal,” the CCAC’s press release states; “in excess of 200 pieces were submitted for consideration.”

Ultimately 20 works were chosen. So what was the theme that drew such a strong response? Read More »

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Jim Tarbell Talks Music

Close to thirty people were in attendance at Motr Pub yesterday for the first of three talks Jim Tarbell is giving there, which is to say that every seat in the room was taken, and it felt very comfortable, like just the right number of people attended. (The next two talks are at two pm the next two Sundays.)

And it’s neat to think that they had come out simply to hear someone talk about Cincinnati’s musical legacy. You could tell, by the questions people asked and the cheers they gave when certain musicians were mentioned, that these were real music lovers.

And Cincinnati lovers, or so I would assume. When it came to music, Jim Tarbell’s talk was at times a little short on specifics, but as soon as he turned a corner to Cincinnati history he was as in-depth and detailed as a historian, which makes sense: he is one. Read More »

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Disaster, Discovery and Dolphins

The Ninth Annual Cincinnati Fringe Festival is now upon us. From May 29 to June 9 performances ranging from wacky to edgy will stimulate, challenge and entertain audiences that continue to grow.

For me this year is especially of interest because it will feature a world premier by John Ray, a writer whose work I know from the days when I was a regular both as an audience member and performer at the Performance Times Arts Series. Read More »

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Jim Tarbell at Motr Pub

 

In spite of the fact that when I walk in there Motr Pub is often packed, I still run into people who have no idea that it exists, so let’s start at the beginning: Motr Pub is a new bar (it opened in September 2010) located at 1345 Main Street in Over the Rhine, and it’s a great place to hear local, regional and national bands. The cover is zero dollars, but I suspect they make a buck or two with their great (and changing) selection of draft and bottle beers, other liquids as well as a menu that includes their much-loved Motr Burgers.  The artists I’ve seen perform there include Akron/Family and Richard Buckner, and I feel fortunate to be able to drive just a couple miles to see artists of that stature. Read More »

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The Faux Frenchmen Every Wednesday

Every Wednesday at 8 pm at Sitwell’s Coffee House four very talented musicians perform a style of music that you seldom have a chance to hear live.

The Faux Frenchmen consist of four musicians with diverse musical backgrounds who all share an affinity for the gypsy jazz Django Reinhardt and the Hot Club of France played in Parisian cafes in the 1930s. Read More »

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A Brilliant Pianist

Charlie Wilson is a pianist who lives in Cincinnati and plays out on a rare occasion, usually in the company of King Reeves, an equally talented vibraphonist. Sometimes the two of them work as a duet and sometimes they expand the lineup to a quintet. Decades ago, while he was living in California, Charlie played with Don Cherry – and this goes back far enough that it was actually before the Ornette Coleman Quartet that changed the shape of jazz. After moving to Cincinnati, Charlie toured with Roland Kirk.

  Read More »

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The Listing Loon in Northside: Craft Beer and (Soon to Be) More

Quite often the challenge for a new business is staying afloat until people start walking in the door.

That seems to be a non-issue, however, at the Listing Loon, a new craft beer and more store on the main drag (4124 Hamilton Ave.) in Northside.

When I dropped in the first time to ask how business was, our conversation kept getting interrupted by people buying beer—which was impressive considering that the Listing Loon had been open less than a week. Read More »

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Rastaman Vibrations at the Esquire

I had a chance to see the Bob Marley documentary at the Esquire Theatre last night, and I’m glad I did.

Strangely, I may have enjoyed the early part of the movie the most. The first 45 minutes or an hour focused on Bob Marley before he broke (Catch a Fire in 1973 was the LP that made the world notice), which means there was none of the excitement of the stage shows that electrified audiences seeing him for the first time (although there was plenty of that in the film, and I enjoyed it as well). Read More »

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Jimmy Webb at St Xavier High School

A few months ago I attended a Jimmy Webb concert that took place in Cincinnati. This was a very rare opportunity to see a unique and extremely talented artist, and although some time has passed since the event, I’m assuming there are some music lovers floating through cyberspace who might find this of interest. 

Because the Internet can tell us anything we sometimes have a concert memorized before the band takes the stage. We’ve studied the setlist, know every possible encore, we’ve watched youtube from earlier in the tour, and the only potential for surprise would be a power shortage. Personally, I try to avoid overpreparing for concerts, but sometimes it’s difficult to achieve a state of total ignorance before sitting down at a concert. Before I attended the Jimmy Webb concert that took place at St. Xavier High School in Finneytown I pictured, because it was a high school, a gymnasium where someone placed hundreds of folding chair on the floor and called it a concert venue. Already I could smell the cafeteria food from lunch hour and the sweat from gym class. Read More »

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Bob Marley Comes to the Esquire Theatre

Although this happened back in college, I can still remember a friend from Cleveland coming back after a break and speaking with a gleam in his eyes as he described a Bob Marley concert in Cleveland. My friend made it clear that from the time Marley took the stage to the last encore there was an energy in the building that was not to be believed.

Read More »

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Ludlow Wines Reopens at 343 Ludlow Avenue

The name’s the same, it still has the same owners, and it still sells beer and wine, but one very important thing has changed about Ludlow Wines: the location.

Don’t be distressed if you walked over to the old place and saw an empty storefront. Now located at 343 Ludlow Avenue, Ludlow Wines only moved a couple doors down. It’s officially open for business, although the grand opening will take place on Saturday, June 2.   (Don’t worry, we’ll remind you.) In the interim you’ll have more than 150 beers to choose from as well as a huge selection of wines. Read More »

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Tickets Still Available for Annunciation Gala on Saturday

This morning your roving reporter had a chance to catch up with Claudia Taylor, the very enthusiastic chairperson and organizer of the event. The first and most important question I asked was… Read More »

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Annunciation Gala April 28 (This Saturday!)

Tickets still remain for the Fifth Annual Annunciation Gala taking place this Saturday at Annunciation School, located at 3545 Clifton Ave. Today I asked the school principal, Cindy Hardestry, a few questions about the event. Read More »

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Cleanup Corryville Saturday Morning

I had a great walk today. The weather was beautiful (sunny, blue, warm), and when I walked through Burnet Woods folks were out fishing in force. Passing a young black man, I decided to make it clear just how unimpressed I was with his production thus far. Read More »

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Shiny and the Spoon at Tunes & Blooms

“Free concerts every Thursday in April from 6 – 8:30pm!” reads the website for the Cincinnati Zoo, and on Thursday, April 19 the concert will feature The Tillers  as headliners with Shiny and the Spoon opening. Although The Tillers are an impressive Americana act, you should definitely also check out Shiny and the Spoon, who combine solid songwriting, sweet harmonies, and a recently expanded lineup that includes Pete Brown, an upright bass player who also happens to be the maintenance supervisor for Gaslight Property.

Read More »

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Record Store Day!

The fifth annual Record Store Day will be taking place this Saturday at independent record stores in Cincinnati. More than 200 vinyl records, including LPs, 10-inches, and 45s, will be on sale that day. Every year Record Store grows larger, with more to choose from and a broader selection as well. By itself, Record Store Day is something worth celebrating, as it pays homage to what’s pretty much the coolest thing Western civilization ever invented, but its impact goes way beyond a single day – it helps stoke interest in vinyl in general, which is a lot hotter than anyone dreamed it would be five years ago. In a society where Generic rules here’s something that actually has personality…I think of it as the craft beer of the music world. Read More »

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Farmers Market in Northside

Every Wednesday from 4 pm to 7 pm there’s a Farmers Market in Northside. Being as I’m kind of a hard-nosed reporter—picture a grumpy guy with a cigarette dangling out of the side of his mouth and a crooked tie as he barks out questions in an old black and white movie—I recently posed some challenging questions to Sara Mulhauser, the Northside Farmers Market Manager. The first question was probably the toughest: so what’s so special about the farmers market in Northside?

Read More »

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Sharon Van Etten at Mayday April 27

I’m not sure if there’s anything more frustrating than discovering after the fact that a musician came to town who you would have seen if only you’d known…Often the surprise element comes because you hadn’t dialed in some venues that bring in names that you wouldn’t expect in such a small venue – and as you know, those are often the best concerts. There are two clubs you especially have to watch out for that are close to Clifton – one neighborhood away, basically, although in different directions. Read More »

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Loft-Style Apartment For Rent on Ludlow Avenue

(Update) This loft-style apartment is currently occupied, but Gaslight Property wants apartment seekers to know that it has apartments for rent in several buildings in the Gaslight District in Clifton. Those buildings include the Jonathan at 451 Ludlow; Tudor Court Apartments, also on Ludlow Avenue; Whitfield Gardens, at 3242 Whitfield; Lafayette Hills, at 880 Lafayette Ave.; and buildings at 319 Terrace Ave., 525 Lowell, and 3257 Bishop.  Call Stephanie Taylor at 513.861.6000 if you’re interested in seeing any of these apartments, and she’ll show you them in person!

A unique apartment just became available on Ludlow Avenue in the heart of the gaslight district, and she’s a beauty. With approximately 1,360 square feet, this apartment offers a rare opportunity for a loft-style apartment in Clifton. Instead of several rooms partitioned off with walls, this second-floor space at 343 Ludlow Avenue combines a living room, updated kitchen and dining room into one big open space, plus there’s a bedroom in the back, and a bathroom. As you can tell from the photos, the walls have a cool color scheme that you may to keep for yourself. With hardwood floors, a tiled fireplace and a stained glass window, the apartment has lots of charm, with plenty of natural light and a great view. The location couldn’t be better: you’re above the Proud Rooster restaurant and within walking distance of Ambar India, Sitwell’s, Olive’s, The Esquire Theatre, and dozens of other shops, restaurants, bars and . Call Stephanie Taylor at 513.861.6000 if you’re interested, and she’ll show it to you in person!

 

Read More »

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Bohemain Hookah Cafe (Part 2)

You may recall me mentioning in Bohemain Hookah Cafe Part 1 that a band was slated to perform one evening, although I had no idea who they were. When I slipped inside I came to learn that they were the Last Boppers (what a great name for a band), who I’d heard of but never actually seen. (They’ve played before at the Loft Society, where I’ve seen lots of great jazz, but not these guys.) They were between sets, so I had a chance to chat with them. I should note here that the ensemble consisted of three people that evening but the size and instrumentation varies. One constant is Kenneth Leslie, the leader of the band, and the person I spoke to the most. Read More »

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Bohemian Hookah Café (Part 1)

Partly because there were no windows in front and the outside was pretty nondescript, even though the gay bar called the Golden Lions was in the heart of the Clifton business district it was easy to forget it was there—and I’ll bet ya that even lots of Cliftonites have no idea that it closed. What’s replaced it, though, won’t stay under the radar for long. Cleary the Bohemian Hookah Café, located at 340 Ludlow Avenue and open from 2 pm to 2 am daily, wants to connect with the community—you can tell by the sandwich boards out front and the open front door and, on some nights, the music flowing out into the streets…more on that later.

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Utopia & Alcohol

 

I’m sure that most people reading this blog feel as if they’re living in a utopia, but something happened recently that will make our world even better. For what seems like years (maybe it was just the anticipation) rumors have been circulating about a change at The Esquire Theatre on Ludlow Avenue that will add a whole new dimension to movie-going, and it finally happened. That’s right, folks: our very own movie theater now has a bar!  Read More »

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Sorry, Charlie

Lincoln penny - obverse ("heads") hesign used since inception.

After putting if off forever, the other day I finally starting counting up my coins and slipping them into the paper coin wrappers I grabbed at my friendly neighborhood bank. Counting the coins took some time, but no problem: in my mind it was like free money. When I arrived at the friendly neighborhood bank I walked up to a teller and showed her my vast array of coin rolls, and she looked at them and said:

“You know we have a machine for that now.”

“No kidding?”

“And it doesn’t charge you or anything.”

“Sounds like a bargain.”

“Do you mind putting them in there instead?”

“I’d be happy to.” Read More »

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Where to Be on April 28: The 5th Annual Annunciation Gaslight Gala

Rarely in this blog do we announce events more than a month in advance, but there’s one event that readers need to mark on their calendars now. Located in the heart of the Gaslight District, Annunciation Church has been a centerpiece in Clifton since it was built in 1910. Right next to the church, at 3545 Clifton Avenue, is the Annunciation School, which is nearing its 100-year anniversary (it opened in 1914). All the proceeds from the 5thAnnual Annunciation Gaslight Gala benefits this preschool and K-8 school. The Gala gets bigger every year, and although I rarely make predictions, I’m just going to come out and say that this one will break all previous records. You’ll be hearing more about this event, but for right now here’s some information so you can mark your calendar:

5TH ANNUAL ANNUNCIATION GASLIGHT GALA: A Clifton Celebration
Saturday April 28, 2012
6 p.m. – Midnight Father Klug Center, 221-1230
Clifton Attire: “T-shirts to Tails”
$50.00/person or $350.00/table of 8
Includes gourmet dinner, open bar, & music
Large Silent Auction that includes tickets, art, & more
For Ticket Sales call 706-3149 or 221-1230
ALL proceeds benefit Annunciation School

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An Art Show in Clifton

Even if you’ve seen the signs out front, you may wonder what goes on at the downstairs space behind the canopy at Tudor Court Apartments near the corner of Ludlow and Middleton. When I lived in the Tudor Court the basement dwelling was a bar where grumpy old men complained about life and drank, not necessarily in that order. Then it was a coffeehouse that went by the name The Cove Cafe, which then moved and changed names to Sitwells. Now it’s home to Clifton Performance Theatre, a performance space that’s been around since 2010 and by now is on the radar in both Clifton and the theater scene for Cincinnati in general. More on that later, as it also has other functions when plays aren’t being performed, and there’s an event coming up on Monday April 2 to Monday April 9 that’s worth checking out. Tom Lohre is an artist who lives in Clifton and has a long history as a portrait artist. His abstract reality show combines a level of abstraction with identifiable and sometimes even iconic images. For example, take a look at the image to the right. Do you recognize it? If you can’t make it out right away, here’s a hint: it appeared during the opening credits for WKRP in Cincinnati.

Here’s the when and where for Tom Lohre’s show:  Read More »

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Nelson Slater Pays a Visit

 

Nelson Slater Pays a Visit

I had a nice visit today with Nelson Slater, who dropped by to trade two LPs of particular interest to me for a box of 45s of particular interest to him. If you don’t know Nelson, he’s a fellow Cliftonite who has done contract work for Gaslight Property. Nelson attended Syracuse University in the early 1960s, where he befriended and played music with a guy named Lou Reed, who ended up forming a band that was pretty good and then went on to have a solo career as well. Nelson also penned a couple great song in the soul vein that have become what I will refer to as obscure classics: “Get Out” by Tommy Sears and “Symphony” by Andy & the Marglows. Here are youtube links to hear those songs:

http://www.youtube.com/watch?v=rClPJOfCeDc

http://www.youtube.com/watch?v=A-CyeyZB064

In 1976 Nelson released an album called Wild Angel on RCA; Lou Reed produced the record and performed on it. He continues to perform all over the country and release new music. While Nelson was here I had a chance to catch up with what was going on musically and otherwise.    Read More »

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Willy and Haneef: Street Musicians Extraordinaire

Willy and Haneef: Street MusiciansYou may have caught wind of the fact that UC beat Syracuse in the Big East semifinal game; there may even be a reader or two who watched the game on TV. I caught bits and pieces toward the end, but it happened to be taking place during a phase of the day when cabin fever was getting to me. My cure: walking up and down Ludlow Avenue with no particular destination. (I’m good at that, by the way; I think a lot of people are.) Along the way I saw through windows people jumping up and down and cheering whenever a ball went through a net on the end of the court where they wanted it to go through. Even a light winter tends to make us a feel a bit rusty when it comes to revisiting the places we visit much more frequently when the weather is warm, and as I walked up Ludlow I wondered if I’d end up feeling like George Bailey did when his guardian angel takes him on a tour of Pottersville.    Read More »

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The “Boss Cox Booksale” at the Clifton Cultural Arts Center

Clifton Cultural Arts Center booksaleEvery day hundreds of people walk past this building, but few of them know its history. They don’t know who built it and they don’t know who lived there. That will change, though, now that the space is being converted to a library that will replace the charming but much smaller space on Ludlow Avenue.

Located on Jefferson Avenue across from Burnet Woods, the Parkside Manor was designed by Samuel Hannaford, a famous architect who also built Music Hall, City Hall and over 300 other buildings in the late nineteenth and early twentieth century. The person who originally lived there was no slouch, either: historically George “Boss” Cox has earned his place at the Mount Rushmore of crooked Ohio politicians, a place that also includes, of more recent vintage, James Traficant (who got in a lot more trouble, by the way, for his actions; maybe it was his hair).    Read More »

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Clifton: One of the Best Neighborhoods in Cincinnati

Although I’m sure I’ll try to assume a starring role in many of the upcoming scenes, this blog isn’t primarily about me but about a place.  Because it’s close to a university, Clifton houses lots of undergrad and graduate college students who stay a few years and then move on, but there are also people who choose to live here because it’s a vibrant and colorful neighborhood that’s convenient and has cheap martinis on Friday nights. For the most part my life here has been sweetness and light, and I pretty much expected everything to float along in a sweet somnambulant haze until one day I walked past my friendly neighborhood grocery store and noticed that…gulp…gulp again…it was closed. Not for a day or two, either—more like permanently unless someone found a way to save it.    Read More »

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